She has lifted her eyes off her manuscript; she is looking out with kindling countenance over the gardens of the Museum; her ripe curling Greek lips, such as we never see now, even among her own wives and sisters, open. She is talking to herself. Listen!

‘Yes. The statues there are broken. The libraries are plundered. The alcoves are silent. The oracles are dumb. And yet--who says that the old faith of heroes and sages is dead? The beautiful can never die. If the gods have deserted their oracles, they have not deserted the souls who aspire to them. If they have ceased to guide nations, they have not ceased to speak to their own elect. If they have cast off the vulgar herd, they have not cast off Hypatia. ...............

Hypatia — Part 18

‘Ay. To believe in the old creeds, while every one else is dropping away from them.... To believe in spite of disappointments.... To hope against hope.... To show oneself superior to the herd, by seeing boundless depths of living glory in myths which have become dark and dead to them.... To struggle to the last against the new and vulgar superstitions of a rotting age, for the faith of my forefathers, for the old gods, the old heroes, the old sages who gauged the mysteries of heaven and earth--and perhaps to conquer--at least to have my reward! To be welcomed into the celestial ranks of the heroic--to rise to the immortal gods, to the ineffable powers, onward, upward ever, through ages and through eternities, till I find my home at last, and vanish in the glory of the Nameless and the Absolute One!....

Hypatia — Part 18

And her whole face flashed out into wild glory, and then sank again suddenly into a shudder of something like fear and disgust, as she saw, watching her from under the wall of the gardens opposite, a crooked, withered Jewish crone, dressed out in the most gorgeous and fantastic style of barbaric finery.

Hypatia — Part 18

‘Why does that old hag haunt me? I see her everywhere--till the last month at least--and here she is again! I will ask the prefect to find out who she is, and get rid of her, before she fascinates me with that evil eye. Thank the gods, there she moves away! Foolish!--foolish of me, a philosopher. I, to believe, against the authority of Porphyry himself, too, in evil eyes and magic! But there is my father, pacing up and down in the library.’