The clear liquors are now concentrated to a strength of about 32% dry glue in winter and 35% in summer. This is invariably effected in vacuum pans--open boiling yields a dark-coloured and inferior product. Many types of vacuum plant are in use; the Yaryan form, invented by H. T. Yaryan, is perhaps the best, and the double effect system is the most efficient. After concentration the liquors are bleached by blowing in sulphur dioxide, manufactured by burning sulphur; by this means the colour can be lightened to any desired degree. The liquors are now run into galvanized sheet-iron troughs, 2 ft. long, 6 in. wide and 5 in. deep, where they congeal to a firm jelly, which is subsequently removed by cutting round the edges, or by warming with hot water, and turning the cake out. The cake is sliced to sheets of convenient thickness, generally by means of a wire knife, i.e. a piece of wire placed in a frame. Mechanical slicers acting on this principle are in use. Instead of allowing the solution to congeal in troughs, it may be "cast" on sheets of glass, the bottoms of which are cooled by running water. After congealing, the tremulous jelly is dried; this is an operation of great nicety: the desiccation must be slow and is generally effected by circulating a rapid current of air about the cakes supported on nets set in frames; it occupies from four to five days, and the cake contains on the average from 10 to 13% of water.

_Skin Glue._--In the preparation of skin glue the materials used are the parings and cuttings of hides from tan-yards, the ears of oxen and sheep, the skins of rabbits, hares, cats, dogs and other animals, the parings of tawed leather, parchment and old gloves, and many other miscellaneous scraps of animal matter. Much experience is needed in order to prepare a good glue from such heterogeneous materials; one blending may be a success and another a failure. The raw material has been divided into three great divisions: (1) sheep pieces and fleshings (ears, &c.); (2) ox fleshings and trimmings; (3) ox hides and pieces; the best glue is obtained from a mixture of the hide, ear and face clippings of the ox and calf. The raw material or "stock" is first steeped for from two to ten weeks, according to its nature, in wooden vats or pits with lime water, and afterwards carefully dried and stored. The object of the lime steeping is to remove any blood and flesh which may be attached to the skin, and to form a lime soap with the fatty matter present. The "scrows" or glue pieces, which may be kept a long time without undergoing change, are washed with a dilute hydrochloric acid to remove all lime, and then very thoroughly with water; they are now allowed to drain and dry. The skins are then placed in hemp nets and introduced into an open boiler which has a false bottom, and a tap by which liquid may be run off. As the boiling proceeds test quantities of liquid are from time to time examined, and when a sample is found on cooling to form a stiff jelly, which happens when it contains about 32% dry glue, it is ready to draw off. The solution is then run to a clarifier, in which a temperature sufficient to keep it fluid is maintained, and in this way any impurity is permitted to subside. The glue solution is then run into wooden troughs or coolers in which it sets to a firm jelly. The cakes are removed as in the case of bone glue (see above), and, having been placed on nets, are, in the Scottish practice, dried by exposure to open air. This primitive method has many disadvantages: on a hot day the cake may become unshapely, or melt and slip through the net, or dry so rapidly as to crack; a frost may produce fissures, while a fog or mist may precipitate moisture on the surface and occasion a mouldy appearance. The surface of the cake, which is generally dull after drying, is polished by washing with water. The practice of boiling, clarification, cooling and drying, which has been already described in the case of bone glue, has been also applied to the separation of skin glue.

Encyclopaedia Britannica, 11th Edition, Volume 12, Slice 2 — Part 63