From an historical point of view, it is ludicrous to think of Lydford and Princetown, its neighbour (as one counts neighbours on a moor)--Lydford, in all its glory nearly a hundred years before the Conquest, and Princetown, created by the Prince Regent. It is, I believe, the highest village in England, and in walking up to it there comes a feeling that this is rather like walking up a gigantic snail-shell, and that, when one reaches the top, it _is_ the very top and end of all things. A tranquillity reigns over the tiny town which even the occasional sight of warders with their loaded rifles does not break; and the workaday world seems to have been left far below.

But the desolate moor as seen from this point, the bleak winds, and very frequent rain, brought cold comfort to the French prisoners of war, on whose account the prison was built. Their views are probably reflected in a gloomy description of Princetown, traducing the climate, which was given by a French writer, quoted by Mr R. J. King. 'For seven months in the year,' says a M. Catel, 'it is a vraie Sibérie, covered with unmelting snow. When the snows go away, the mists appear.'

Devon, Its Moorlands, Streams and Coasts — Part 68

The lot of the French prisoners, however, was tempered by certain alleviations, and very many of them were allowed to live on parole in specified towns, most of which are near the moor. In 1813 a large number of American prisoners of war were added to the eight thousand French at Princetown, but for some reason were not at first allowed the same privileges. This may help to account for the aggrieved tone in which one of them refers to his French fellow-prisoners, as well as to the British. Andrews wrote a journal which was afterwards published. 'The Seigneurs,' he says, 'received remittances from their friends or had money of their own, and were able to support themselves in a genteel manner.' They were allowed to have plays with a stage and scenery once a month, and also 'had their schools for teaching the arts and sciences, dancing, fencing, and fiddling.' He criticises them severely: 'They drink, sing and dance,' and, with a fine allusion to emphasise his point, declares: 'But the Americans have not that careless volatility, like the cockle in the fable, to sing and dance when the house is on fire over them.' The French were released after the abdication of Napoleon; a year later, peace was signed between England and America, and then, till 1850, the buildings were unoccupied. In that year the decision was made that they should be used as a convict prison, and as a result, one must agree with Sir Frederick Pollock, it 'is the ugliest thing physically and morally on the moor.'

Devon, Its Moorlands, Streams and Coasts — Part 68