On his appointment to be consul at Algiers, Bruce had the honour of being presented to his majesty George III., who graciously requested him to make accurate drawings of the ruins of ancient architecture which he should discover in the course of his travels; and to give Bruce a liberal opportunity of improving his taste, and to qualify him for collecting with greater ability the remains of antiquity in Africa (the southern region of the Roman empire), it was arranged that he should travel through France into Italy, and remain there for some months, under the pretext of waiting for despatches which were to be there forwarded to him.
Delighted with prospects so congenial to his disposition, being now thirty-two years of age, he sailed from England in June, 1762; and, though some objections had been made as to particular passports solicited by the British government from the French secretary of state, M. de Choiseul waived such exceptions with regard to Bruce, and politely assured him, in a letter accompanying his passport, that those difficulties did not in any shape regard him, but that he was perfectly at liberty to pass through, or to remain in France, with those who might accompany him, without limiting their number, as short or as long a time as should be agreeable to him.
Having arrived at Rome (August, 1762), Bruce proceeded to Naples, and there, for some months, awaited his majesty's farther commands. He afterward went to Florence, where he remained most studiously occupied for a considerable time.
It would be tedious to enter into a detail of the antiquities, paintings, and other curiosities which Bruce observed in the course of his journey, as they have been visited by thousands of Englishmen, and have been minutely described by travellers of every possible description. It is only necessary to state that Bruce made very minute memoranda respecting every remarkable place or object which he visited;[3] that his catalogue of paintings is very extensive; and that his notes indicate the variety of his knowledge, the correctness of his judgment, and the exalted feelings with which he visited those faded scenes of Roman glory, which, like Byron's "Greece," may be justly compared to a corpse from which a noble spirit has departed.