The low position generally assigned the wife in the home had a most disastrous effect upon Greek morals. She could exert no such elevating or refining influence as she casts over the modern home. The men were led to seek social and intellectual sympathy and companionship outside the family circle, among a class of women known as Hetairæ, who were esteemed chiefly for their brilliancy of intellect. As the most noted representative of this class stands Aspasia, the friend of Pericles. The influence of the Hetairæ was most harmful to social morality.
THEATRICAL ENTERTAINMENTS.--Among the ancient Greeks the theatre was a state establishment, "a part of the constitution." This arose from the religious origin and character of the drama (see p. 193), all matters pertaining to the popular worship being the care and concern of the state. Theatrical performances, being religious acts, were presented only during religious festivals, and were attended by all classes, rich and poor, men, women, and children. The women, however, except the Hetairæ, were, it would seem, permitted to witness tragedies only; the comic stage was too gross to allow of their presence. The spectators sat under the open sky; and the pieces followed one after the other in close succession from early morning till nightfall.
There were companies of players who strolled about the country, just as the English actors of Shakespeare's time were wont to do. While the better class of actors were highly honored, ordinary players were held in very low esteem. The tragic actor increased his height and size by wearing thick-soled buskins, an enormous mask, and padded garments. The actor in comedy wore thin-soled slippers, or socks. The _sock_ being thus a characteristic part of the make-up of the ancient comic actor, and the _buskin_ that of the tragic actor, these foot coverings have come to be used as the symbols respectively of comedy and tragedy, as in the familiar lines of Dryden:--
"Great Fletcher never treads in buskins here, Nor greater Jonson dares in socks appear."
The theatre exerted a great influence upon Greek life. It performed for ancient Greek society somewhat the same service as that rendered to modern society by the pulpit and the press. During the best days of Hellas the frequent rehearsal upon the stage of the chief incidents in the lives of the gods and the heroes served to deepen and strengthen the religious faith of the people; and later, in the Macedonian period, the theatre was one of the chief agents in the diffusion of Greek literary culture over the world.