“I don’t like the way in which the doctor feels my pulse!”
Thus it happens that either a woman chooses her doctor, wins over the man who has been imposed upon her, or procures his dismissal. But this contest is very rare; the majority of young men who marry are acquainted with none but beardless doctors whom they have no anxiety to procure for their wives, and almost always the Esculapius of the household is chosen by the feminine power. Thus it happens that some fine morning the doctor, when he leaves the chamber of madame, who has been in bed for a fortnight, is induced by her to say to you:
“I do not say that the condition of madame presents any serious symptoms; but this constant drowsiness, this general listlessness, and her natural tendency to a spinal affection demand great care. Her lymph is inspissated. She wants a change of air. She ought to be sent either to the waters of Bareges or to the waters of Plombieres.”
You allow your wife to go to Plombieres; but she goes there because Captain Charles is quartered in the Vosges. She returns in capital health and the waters of Plombieres have done wonders for her. She has written to you every day, she has lavished upon you from a distance every possible caress. The danger of a spinal affection has utterly disappeared.
There is extant a little pamphlet, whose publication was prompted doubtless by hate. It was published in Holland, and it contains some very curious details of the manner in which Madame de Maintenon entered into an understanding with Fagon, for the purposes of controlling Louis XIV. Well, some morning your doctor will threaten you, as Fagon threatened his master, with a fit of apoplexy, if you do not diet yourself. This witty work of satire, doubtless the production of some courtier, entitled “Madame de Saint Tron,” has been interpreted by the modern author who has become proverbial as “the young doctor.” But his delightful sketch is very much superior to the work whose title I cite for the benefit of the book-lovers, and we have great pleasure in acknowledging that the work of our clever contemporary has prevented us, out of regard for the glory of the seventeenth century, from publishing the fragment of the old pamphlet.