A man with ideas of this sort about imagination, language and poetry could not say he was satisfied with formalistic and verbal Logic, whether Aristotelian or scholastic. The human mind (says Vico) "makes use of intellect when from things which it feels by sense it gathers something that does not fall under sense: this is the true meaning of the Latin _intelligere_."[28] In a rapid outline of the history of Logic, Vico wrote: "Aristotle came and taught the syllogism, a method more suited to expound universals in their particulars than to unite particulars by the discovery of universals: then came Zeno with his sorites, which corresponds with modern philosophic methods and refines, without sharpening, the wits; and no advantage whatever was reaped from either by mankind at large. With great reason, therefore, does Verulam, equally eminent as politician and philosopher, propound, commend and illustrate induction in his Organum: he is followed by the English with excellent results to experimental philosophy."[29] From this source is derived his criticism of mathematics, which have always, but especially in his day, been considered as the type of perfect science.
[Sidenote: Vico opposed to all formal theories of poetry.]
In all this, Vico is not only a thorough revolutionary, but is quite conscious of being so: he knows himself to be in opposition to all previous theories on the subject. He says that his new principles of poetry "are wholly opposed to, and not merely different from, all which have been imagined from the time of Plato and his disciple Aristotle to Patrizzi, Scaliger and Castelvetro among the moderns; poetry is now discovered to have been the first language used by all nations alike, even the Hebrew."[30] In another passage he says that by his theories "is overthrown all that has ever been said of the origin of poetry, beginning from Plato and Aristotle, right down to our own Patrizzi, Scaliger and Castelvetro; and it is found that poetry arising through defect of human ratiocination is as sublime as any which owes its being to the later rise of philosophy and the arts of composition and criticism; indeed, that these later sources never gave rise to any poetry that could equal, far less surpass it."[31] In the Autobiography he boasts of having discovered "other principles of poetry than those found by Greeks and Latins and all others from those times down to the present day; on these are founded other views on mythology."[32]
