The marquis followed her, took her hand, and placed it on his breast.
“I was afraid,” she said, smiling, “but now--”
Just then her terrified maid cried out: “Marie, take care!”
But as she said the words, Francine, who was springing from the carriage, felt herself grasped by a strong hand. The sudden weight of that enormous hand made her shriek violently; she turned, and was instantly silenced on recognizing Marche-a-Terre.
“Twice I owe to chance,” said the marquis to Mademoiselle de Verneuil, “the revelation of the sweetest secrets of the heart. Thanks to Francine I now know you bear the gracious name of Marie,--Marie, the name I have invoked in my distresses,--Marie, a name I shall henceforth speak in joy, and never without sacrifice, mingling religion and love. There can be no wrong where prayer and love go together.”
They clasped hands, looked silently into each other’s eyes, and the excess of their emotion took away from them the power to express it.
“There’s no danger for _the rest of you_,” Marche-a-Terre was saying roughly to Francine, giving to his hoarse and guttural voice a reproachful tone, and emphasizing his last words in a way to stupefy the innocent peasant-girl. For the first time in her life she saw ferocity in that face. The moonlight seemed to heighten the effect of it. The savage Breton, holding his cap in one hand and his heavy carbine in the other, dumpy and thickset as a gnome, and bathed in that white light the shadows of which give such fantastic aspects to forms, seemed to belong more to a world of goblins than to reality. This apparition and its tone of reproach came upon Francine with the suddenness of a phantom. He turned rapidly to Madame du Gua, with whom he exchanged a few eager words, which Francine, who had somewhat forgotten the dialect of Lower Brittany, did not understand. The lady seemed to be giving him a series of orders. The short conference ended by an imperious gesture of the lady’s hand pointing out to the Chouan the lovers standing a little distance apart. Before obeying, Marche-a-Terre glanced at Francine whom he seemed to pity; he wished to speak to her, and the girl was aware that his silence was compulsory. The rough and sunburnt skin of his forehead wrinkled, and his eyebrows were drawn violently together. Did he think of disobeying a renewed order to kill Mademoiselle de Verneuil? The contortion of his face made him all the more hideous to Madame du Gua, but to Francine the flash of his eye seemed almost gentle, for it taught her to feel intuitively that the violence of his savage nature would yield to her will as a woman, and that she reigned, next to God, in that rough heart.