Were you but half so wise as you're severe, Our youthful poet should not need to fear; To his green years your censures you would suit, Not blast the blossom, but expect the fruit. The sex, that best does pleasure understand, Will always choose to err on t'other hand. They check not him that's aukward in delight, But clap the young rogue's cheek, and set him right. Thus heartened well, and fleshed upon his prey, The youth may prove a man another day. Your Ben and Fletcher, in their first young flight, Did no Volpone, nor no Arbaces write;[343] But hopped about, and short excursions made } From bough to bough, as if they were afraid, } And each was guilty of some Slighted Maid.[344] } Shakespeare's own muse her Pericles first bore;[345] The Prince of Tyre was elder than the Moor: 'Tis miracle to see a first good play; All hawthorns do not bloom on Christmas-day.[346] A slender poet must have time to grow, And spread and burnish as his brothers do. Who still looks lean, sure with some pox is curst, But no man can be Falstaff-fat at first. Then damn not, but indulge his rude essays, Encourage him, and bloat him up with praise, That he may get more bulk before he dies; He's not yet fed enough for sacrifice. Perhaps, if now your grace you will not grudge, He may grow up to write, and you to judge.
[Footnote 343: Characters in Jonson's "Volpone," and Fletcher's "King and no King," which plays are justly held the master-pieces of these authors.]
[Footnote 344: The "Slighted Maid" was a contemporary drama, written by Sir Richard Stapylton, of which Dryden elsewhere takes occasion to speak in terms of contempt. See the _Parallel betwixt Poetry and Painting_.]
[Footnote 345: This opinion seems to be solely founded on the inferiority of "Pericles," to the other plays of Shakspeare; an inferiority so great, as to warrant very strong doubts of its being the legitimate offspring of his muse at all.]
[Footnote 346: Alluding to the legend of the Glastonbury thorn, supposed to bloom on Christmas day.]
WHEN CALISTO WAS ACTED AT COURT, IN 1675.
"_Calisto, or the Chaste Nymph_," _was a masque written by John Crowne, who, by the interference of Rochester, was employed to compose such an entertainment to be exhibited at court, though this was an encroachment on the office of Dryden, the poet laureat. The principal characters were represented by the daughters of the Duke of York, and the first nobility. The Lady Mary, afterwards Queen, to whom the masque was dedicated, acted Calisto; Nyphe was represented by the Lady Anne, who also succeeded to the throne; Jupiter, by Lady Harriot Wentworth; Psecas, by Lady Mary Mordaunt; Diana, by Mrs Blague, and Mercury by Mrs Sarah Jennings, afterwards Duchess of Marlborough. Among the attendant nymphs and dancers were the Countesses of Pembroke and of Derby, Lady Catharine Herbert, Mrs Fitzgerald, and Mrs Fraser. The male dancers were the Duke of Monmouth, Viscount Dunblaine, Lord Daincourt, and others of the first quality. Although the exhibition of this masque, which it was the privilege of his office to have written, must have been somewhat galling to Dryden, we see that he so far suppressed his feelings as to compose the following Epilogue, which, to his farther mortification, was rejected, through the interference of Rochester._