Another rustling outside, a giggle and a whisper--Percival would have sworn that the whisper was Emma's if it had been possible that she could have left it behind her when she went out shopping--an ejaculation, "Gracious! I've blacked my hand!" a pause, presumably for the purpose of removing the stain, and Lydia reappeared with the kettle. She poured a portion of its contents over the fender in her anxiety to plant it firmly on the fire. "Oh dear!" she exclaimed, "how stupid of me! Oh, Mr. Thorne"--this half archly, half pensively, fingering the curl and surveying the steaming pool--"I'm afraid you'll wish Emma hadn't gone out: such a mess as I've made of it! What will you think of me?"

"Pray, don't trouble yourself," said Percival. "The fender can't signify, except perhaps from Emma's point of view. It doesn't interfere with my comfort, I assure you."

Lippincott's Magazine, Vol. 22, August, 1878 — Part 35

She departed, only half convinced. Percival, with another sigh of relief, proceeded to make the tea. The water was boiling and the fire good. Emma was apt to set a chilly kettle on a glimmering spark, but Lydia treated him better. The bit of cold meat on the table looked bigger than he expected, the butter wore a cheerful sprig of green. Percival saw his advantages, but he thought them dearly bought, especially as he had to take a turn up and down Bellevue street while the table was cleared.

Lippincott's Magazine, Vol. 22, August, 1878 — Part 35

After that day it was astonishing how often Emma went out shopping or was busy, or had a bad finger or a bad foot, or was helping ma with something or other, or hadn't made herself tidy, so that Lydia had to wait on Mr. Thorne. But it was always with the same air of its being something very droll and amusing to do, and there were always some artless mistakes which required giggling apologies. Nor could he doubt that he was in her thoughts during his absence. She had a piano down stairs on which she accompanied herself as she sang, but she found time for domestic cares. His buttons were carefully sewn on and his fire was always bright. One evening his table was adorned with a bright blue vase--as blue as Lydia's earrings--filled with dried grasses and paper flowers. He gazed blankly at it in unspeakable horror, and then paced up and down the room, wondering how he should endure life with it continually before his eyes. Some books lay on a side-table, and as he passed he looked absently at them and halted. On his Shelley, slightly askew, as if to preclude all thought of care and design, lay a little volume bound in dingy white and gold. Percival did not touch it, but he stooped and read the title, _The Language of Flowers_, and saw that--purely by accident of course--a leaf was doubled down as if to mark a place. He straightened himself again, and his proud lip curled in disgust as he glanced from the tawdry flowers to the tawdry book. And from below came suddenly the jingling notes of Lydia's piano and Lydia's voice--not exactly harsh and only occasionally out of tune, but with something hopelessly vulgar in its intonation--singing her favorite song--

Lippincott's Magazine, Vol. 22, August, 1878 — Part 35