Jeremy Brecher is a historian, documentary filmmaker, activist, and author of books on labor and social movements.
Career
Labor History
In 1969, Brecher and other collaborators including Paul Mattick, Jr., Stanley Aronowitz, and Peter Rachleff began sporadically publishing a magazine and pamphlet series called Root & Branch drawing on the tradition of workers councils and adapting them to contemporary America. In 1975 they published the collection Root & Branch: The Rise of the Workers’ Movements.
History from Below
Funded by the National Endowment for the Humanities and the Connecticut Humanities Council, the project involved participation of more than 200 workers and community members who provided documents, participated in interviews, served on an advisory committee, and reviewed the project’s products.
Brecher has continued to create community-based historical and cultural products in the Naugatuck Valley. From 1988 to 1996 the Waterbury Ethnic Music Project collected and recorded hundreds of songs and tunes in more than 20 ethnic groups and produced 13 public radio programs in the Brass City Music series and the public television documentary Brass City Music as well as six Brass Valley Music Festivals. He served as project historian for the exhibit Brass Roots at Waterbury’s Mattatuck Museum, which received 900,000 visitors between 1986 and 2005. He also served as project historian for the Mattatuck Museum’s new permanent exhibit, Coming Home, Building Community in a Changing World, which won the 2010 Wilbur Cross Award of the Connecticut Humanities Council for “Exemplary Public Programming.” Between 1990 and 2006 he served as project historian for a series of oral history projects and community exhibits on neighborhoods and the African American, Jewish, and Puerto Rican communities in Waterbury.
Professor Robert Forrant of the University of Massachusetts Lowell wrote in the ILR Review, “Brecher employs his knowledge of labor history and a great capacity for listening to his interviewees to tell the story of the Naugatuck Valley Project’s (NVP) success in keeping open nearly a dozen industrial plants and eventually starting new employee-owned businesses.”
In 1984, Brecher and associates formed Stone Soup, Inc. a non-profit educational and cultural organization based in Connecticut. Over the succeeding decades it produced dozens of videos, TV and radio programs, books, curricula, community programs, cultural festivals, and other educational products.
Cornwall in Pictures: A Visual Reminiscence, 1868-1941, published in 2001 in collaboration with a local community working group in Brecher’s home town of Cornwall, CT was favorably reviewed by the New York Times on its publication in 2001; and later received a 2003 Certificate of Commendation from the American Association for State and Local History.
Brecher’s “history from below” work has pioneered what historical theorist Michael Frisch has called “shared authority” between history professionals and the communities they study and address. According to historian James R. Green, the “exciting use of oral history” as a “record of how people told their stories and made their own historical interpretations” was “epitomized in the work of Jeremy Brecher and his colleagues.”
Connecticut Public History
From 1989 to 2001 Brecher served as Humanities Scholar-in-Residence at Connecticut Public Television and Radio, a position supported by the Connecticut Humanities Council. He wrote the scripts for the documentaries The Roots of Roe, Schools in Black and White, Rust Valley, The Amistad Revolt, Electronic Road Film, Brass City Music, and Dance on the Wind, the last two of which he co-produced.
Brecher developed and supervised the CPTV series The Connecticut Experience which included more than twenty documentaries on Connecticut topics. In 1995 the Federation of State Humanities Councils Schwartz Prize citation called The Connecticut Experience “A superb example of Council-conducted initiative, joining the best talents of the council with those of the television profession to produce programs of prize-winning quality and broad appeal. In addition to the triumph in media-program administration, by using the humanities to illuminate specific, complex issues currently confronting the state, it produced the most comprehensive and effective contribution, by any council project we know of, to the self-definition of the state.”
A list of many of the documentaries Brecher wrote and/or co-produced can be found listed under the "filmography" section.