#The Interior Of The West End Of The Nave# contains the famous window with tracery of the curvilinear or flowing Decorated style, and of a design only surpassed by the east window of Carlisle Cathedral. The glass in this window was given by Archbishop Melton, and is almost the finest in the cathedral. The tracery has been entirely and very carefully restored. The window contains eight lights. These lights are coupled in pairs by four arches with a quatrefoil in the head of each, and again formed in groups of four by an ogee arch above the other arches. The flowing curves of these ogee arches are most ingeniously and beautifully worked into the pattern of the upper part of the window, which contains five main divisions of stonework, each like the skeleton of a leaf in shape and in the delicacy of its pattern. Of these five divisions the top one is made by splitting up the central mullion; two diverge from it at the top of the lower lights; and two others curve inwards from the outside arch. The central mullion runs up almost to the top of the arch. The mullions are alike in moulding and size. Below the window is the west door, the head of which is filled with ancient stained glass. There is a gable above it, running up to the bottom of the window and containing three niches. There are kneeling figures on each side of the gable, so that the top of it may have held a figure of Christ. All that portion of the west end not occupied by the window and the porch is filled with storeys of niches and arcading. The lowest storey consists of a rich arcading, each division of which is ornamented with geometrical tracery closely resembling that of the arcading of the aisles. These divisions are marked by pinnacles. Above this is another row of arcading of much the same character, except that it is about half as high again as the lower storey. Each division of this arcading contains two niches for statues, and above the niches are gables. Above the gables the divisions are filled with tracery closely resembling that of the lower arcade. This second arcade reaches to the bottom of the great window, which is marked by a string course running across the whole part. On each side of the gable of the porch is an extra niche rather clumsily fitted in. Above the string course the arcading is not so rich as below. The third storey consists of long niches ornamented merely with arches, gables, and pinnacles between each niche. The fourth is of much the same character, but that the divisions are shorter and have no gable above them. The last storey consists of plain panelling ornamented at intervals by gables. The west windows of the aisle are shorter than the other aisle windows, but have tracery of the same character. The aisle doorways are plain, but over both are some sculptured figures. Those over the north door appear to represent a hunt. In the middle a woman is setting a dog on to two beasts, and behind them there is a man blowing a horn. At the sides are two quatrefoils, set in which are figures (1) of a man attacking another man drinking, and (2) one man driving another away. The sculpture over the south door was destroyed in the fire of 1840, but a careful restoration of it has been made. It consists of a man in the middle fighting with a dragon, with sword and shield, and at the sides in the quatrefoils (1) Delilah cutting the hair of Samson, and Samson and the lion; (2) a man and woman fighting. The ends of the aisles are also ornamented with arcading in three storeys, the lowest of which is like the lowest storey of the arcading at the west end of the nave; the second a smaller series of niches ornamented with gables and pinnacles; and the third a single arcade on each side of the window, filled with geometrical tracery and resembling those on the sides of the other aisle windows.