A strange melancholy characterises the genius of the Celtic race. For all the blithe songs and happy abandon of so many Irish singers, the Irish themselves have given us the most poignant, the most hauntingly-sad lyric cries in all modern literature. Renan fully recognises this, and how, even in the heroic age, the melancholy of inappeasible regret, of insatiable longing, is as obvious as in our own day, when spiritual weariness is as an added crown of thorns. Whence comes this sadness, he asks? Take the songs of the sixth century bards; they mourn more defeats than they sing victories. The history of the Celtic race itself is but a long complaint, the lament of exiles, the grief of despairing flights beyond the seas. If occasionally it seems to make merry, a tear ever lurks behind the smile; it rarely knows that singular forgetfulness of the human state and of its destinies which is called gaiety. But, if its songs of joy end in elegies, nothing equals the delicious sadness of these national melodies.

Nevertheless, concludes the most famous of modern Breton writers, we are still far from believing that the Celtic race has said its last word. After having exercised all the godly and worldly chivalries, sought with Pérédur the Holy Graal and the Beautiful, dreamed with Saint Brandan of mystical Atlantides, who knows what the Celtic genius would produce in the domain of the intelligence if it should embolden itself to make its entrance into the world, and if it subjected its rich and profound nature to the conditions of modern thought? Few races have had a poetical infancy as complete as the Celtic--mythology, lyricism, epic, romanesque imagination, religious enthusiasm, nothing have they lacked. Why should philosophic thought be lacking? Germany, which had begun by science and criticism, has finished with poetry; why should not the Celtic races, which began with poetry, not end with a new and vivid criticism of actual life as it now is? It is not so far from the one to the other as we are apt to suppose; the poetical races are the philosophical races, and philosophy is at bottom but a manner of poetry like any other. When one thinks that Germany fronted, less than a century ago, the revelation of its genius; that everywhere national idiosyncrasies, which seemed effaced, have suddenly risen again in our day more alive than ever, one is persuaded that it is rash to set a law for the discontinuances and awakenings of races. Modern civilisation, which seemed made to absorb them, may, perhaps, be but the forcing-house for a new and more superb efflorescence.

Lyra Celtica — Part 22