Although it is known that Cesare came to Rome in the early part of 1493--for his presence there is reported by Gianandrea Boccaccio in March of that year--there is no mention of him at this time in connection with his sister’s wedding. Apparently, then, he was not present, although it is impossible to suggest where he might have been at the time.
Boccaccio draws a picture of him in that letter, which is worthy of attention, “On the day before yesterday I found Cesare at home in Trastevere. He was on the point of setting out to go hunting, and entirely in secular habit; that is to say, dressed in silk and armed. Riding together, we talked a while. I am among his most intimate acquaintances. He is man of great talent and of an excellent nature; his manners are those of the son of a great prince; above everything, he is joyous and light-hearted. He is very modest, much superior to, and of a much finer appearance than, his brother the Duke of Gandia, who also is not short of natural gifts. The archbishop never had any inclination for the priesthood. But his benefice yields him over 16,000 ducats.”
It may not be amiss--though perhaps no longer very necessary, after what has been written--to say a word at this stage on the social position of bastards in the fifteenth and sixteenth centuries, to emphasize the fact that no stigma attached to Cesare Borgia or to any other member of his father’s family on the score of the illegitimacy of their birth.
It is sufficient to consider the marriages they contracted to perceive that, however shocking the circumstances may appear to modern notions, the circumstance of their father being a Pope not only cannot have been accounted extraordinarily scandalous (if scandalous at all) but, on the contrary, rendered them eligible for alliances even princely.
In the fifteenth and sixteenth centuries we see the bastard born of a noble, as noble as his father, displaying his father’s arms without debruisement and enjoying his rank and inheritance unchallenged on the score of his birth, even though that inheritance should be a throne--as witness Lucrezia’s husband Giovanni, who, though a bastard of the house of Sforza, succeeded, nevertheless, his father in the Tyranny of Pesaro and Cotignola.