In the mural paintings at Chichen-Itza, we again find the baboon (Cynocephalus) warning Moó of impending danger. She is pictured in her home, which is situated in the midst of a garden, and over which is seen the royal insignia. A basket, painted blue, full of bright oranges, is symbolical of her domestic happiness. She is sitting at the door. Before her is an individual pictured physically deformed, to show the ugliness of his character and by the flatness of his skull, want of moral qualities, (the[TN-36] proving that the learned men of Mayab understood phrenology). He is in an persuasive attitude; for he has come to try to seduce her in the name of another. She rejects his offer: and, with her extended hand, protects the armadillo, on whose shell the high priest read her destiny when yet a child. In a tree, just above the head of the man, is an ape. His hand is open and outstretched, both in a warning and threatening position. A serpent (_can_), her protecting spirit, is seen at a short distance coiled, ready to spring in her defense. Near by is another serpent, entwined round the trunk of a tree. He has wounded about the head another animal, that, with its mouth open, its tongue protruding, looks at its enemy over its shoulder. Blood is seen oozing from its tongue and face. This picture forcibly recalls to the mind the myth of the garden of Eden. For here we have the garden, the fruit, the woman, the tempter.
As to the charmed _leopard_ skin worn by the African warriors to render them invulnerable to spears, it would seem as if the manner in which Chaacmol met his death, by being stabbed with a spear, had been known to their ancestors; and that they, in their superstitious fancies, had imagined that by wearing his totem, it would save them from being wounded with the same kind of weapon used in killing him. Let us not laugh at such a singular conceit among uncivilized tribes, for it still prevails in Europe. On many of the French and German soldiers, killed during the last German war, were found talismans composed of strips of paper, parchment or cloth, on which were written supposed cabalistic words or the name of some saint, that the wearer firmly believed to be possessed of the power of making him invulnerable.