The departure was made by Graham Wallas, who, abandoning the deductive construction of intellectual theorems, made an exhaustive study of the Chartist movement. It is greatly to be regretted that these lectures were not effectively published. Their delivery wrought a tremendous disillusion as to the novelty of our ideas and methods of propaganda; much new gospel suddenly appeared to us as stale failure; and we recognized that there had been weak men before Agamemnon, even as far back as in Cromwell's army. The necessity for mastering the history of our own movement and falling into our ordered place in it became apparent; and it was in this new frame of mind that the monumental series of works by the Webbs came into existence. Wallas's Life of Francis Place shows his power of reconstructing a popular agitation with a realism which leaves the conventional imaginary version of it punctured and flaccid; and it was by doing the same for the Chartist movement that he left his mark on us.
Of the other Essayists, Olivier had wrestled with the huge Positive Philosophy of Comte, who thus comes in as a Fabian influence. William Clarke was a disciple of Mazzini, and found Emerson, Thoreau, and the Brook Farm enthusiasts congenial to him. Bland, who at last became a professed Catholic, was something of a Coleridgian transcendentalist, though he treated a copy of Bakunin's God and the State to a handsome binding. Mrs. Besant's spiritual history has been written by herself. Wallas brought to bear a wide scholastic culture of the classic type, in which modern writers, though interesting, were not fundamental. The general effect, it will be perceived, is very much wider and more various than that suggested by Mr. Ernest Barker's remark that Mill was our starting point.
It is a curious fact that of the three great propagandist amateurs of political economy, Henry George, Marx, and Ruskin, Ruskin alone seems to have had no effect on the Fabians. Here and there in the Socialist movement workmen turned up who had read Fors Clavigera or Unto This Last; and some of the more well-to-do no doubt had read the first chapter of Munera Pulveris. But Ruskin's name was hardly mentioned in the Fabian Society. My explanation is that, barring Olivier, the Fabians were inveterate Philistines. My efforts to induce them to publish Richard Wagner's Art and Revolution, and, later on, Oscar Wilde's The Soul of Man under Socialism, or even to do justice to Morris's News From Nowhere, fell so flat that I doubt whether my colleagues were even conscious of them. Our best excuse must be that as a matter of practical experience English political societies do good work and present a dignified appearance whilst they attend seriously to their proper political business; but, to put it bluntly, they make themselves ridiculous and attract undesirables when they affect art and philosophy. The Arts and Crafts exhibitions, the Anti-Scrape (Society for the Protection of Ancient Buildings), and the Art Workers' Guild, under Morris and Crane, kept up a very intimate connection between Art and Socialism; but the maintenance of Fabian friendly relations with them was left mostly to me and Stewart Headlam. The rest kept aloof and consoled themselves with the reflection--if they thought about it at all--that the Utilitarians, though even more Philistine than the Fabians, were astonishingly effective for their numbers.