The north end of the transept, however, is one of the most triumphant successes in the whole minster. Its plan is magnificently simple. It is almost entirely filled by two rows of lancet windows, the five sisters, and five much smaller windows of graduated sizes above them.

The five sisters are, no doubt, the largest lancet windows in England, and it was a bold idea to fill almost the whole of that great front with them, but the boldness was entirely justified by the result.

The Cathedral Church of York — Part 52

It might perhaps have been expected that, like other gigantic openings, they would dwarf the frame surrounding them. But this is not the case. They are enormous, and they appear enormous. They have an effect of gigantic and aspiring simplicity and vigour both inside and outside. They fill a given space in so obvious and efficient a manner, that it might seem that no other way of filling it could have occurred to the architect: that he was forced by a lucky chance to place them there. That, of course, is the greatest triumph of genius. It is a piece of luck however that they still retain their ancient glass--Early English glass of the simplest design, and of a beautiful silvery greyish green tint. Without it, no doubt, their effect would be entirely different.

The Cathedral Church of York — Part 52

The great size and height of the lantern has already been mentioned.

The Cathedral Church of York — Part 52

The wooden vault is covered with ribs elaborately reticulated.

There are two windows with simple Perpendicular tracery and transoms on each side. A single shaft runs between each window.

Below the windows there is an arcade of ten ogee arches on each side of the lantern, with pinnacles between. Above this arcade is a row of quatrefoils.

Below each division of the arcade are figures alternating with bosses of foliage.

In the spandrels of the main arches are coats of arms with angels above them.

#The Chapter-House# and #Vestibule.#--The vestibule leading to the chapter-house is entered at the north-east end of the north transept by a doorway of very curious design. It consists of two arched openings separated by a pier. Above the two arches is an acutely-pointed gable, within which, supported by the arches, is a circle with cinquefoil tracery. Above the gable is a further arch, the ribs of which join the gable at its exterior angles. This arch is further connected with the gable by a rib running horizontally through the crown of the gable, and below this rib, on each side of the gable, are circles quatrefoiled. From the finial at the top of the gable rise three ribs running to the top of the arch above.