The answer is, they don't live, unless they write twaddle for the Grand Old Public, which must be tickled with fluff and flattery. You say to yourself, after all Paris is not vastly different in this respect from benighted New York. Detective stories, melodrama, the glorification of the stale triangle in fiction and drama, the apotheosis of the Apache--what are all these but slight variants of the artistic pabulum furnished by our native merchants in mediocrity? Consoled, because your mental and emotional climate is not as inartistic as it is painted, you return to Florian-Parmentier and his divagations. He has much to say. Some of it is not as tender as tripe, but none is salted with absurdity.
Then you make a discovery. There is in France a distinct class, the Intellectuals, who control artistic opinion because of its superior claims; a class to which there is no analogy either in England or in America. (The French Academy is not particularly referred to just now.) Poets, journalists, wealthy amateurs, bohemians, and professors--all may belong to it if they have the necessary credentials: brains, talent, enthusiasm. It is the latter quality that floats out on the sea of speculation many adventuring barks. Each sports a tiny pennant proclaiming its ideals. Each is steered by some dreamer of proud, impossible dreams. But they float, do these frail boats, laden with visions and captained by noble ambitions.
Or, another image; a long, narrow street, on either side houses of manifold styles--fantastic or sensible, castellated or commonplace, baroque, stately, turreted, spired, and lofty, these eclectic architectures reflect the souls of the dwellers within. The ivory tower is not missing, though a half-century ago it was more in evidence; the church is there, though sadly dwarfed--France is still spiritually crippled and flying on one wing (this means previous to 1914); and a host of other strange and familiar houses that Jack the poet built.
On the doors of each is a legend; it may be Neo-Symbolism, Neo-Classicism, Free-Verse, Sincerism, Intenseism, Spiritualists, Floralism or the School of Grace, Dramatism and Simultanism, Imperialism, Dynamism, Futurism, Regionalism, Pluralism, Sereneism, Vivantism, Magism, Totalism, Subsequentism, Argonauts, Wolves, Visionarism, and, most discussed of all, Unanimism, headed by that fiery propagandist and poet, Jules Romains.