_Decadent Movement in Literature, The_, 47.
Dowson, Ernest, 8, 9, 11, 41-45, 47, 50, 53, 58-61, 63, 67, 79-81, 83, 84, 86-89, 95, 96, 99, 123, 125, 126, 135, 136.
_Frontispiece to the Chopin Nocturnes_, 38.
_Gentle Art of Making Enemies, The_, 101, 113.
Gray, John, 14, 18, 43, 80-82, 123, 125, 135.
Guardian Life and Fire Assurance Co., 16.
Hardy, Thomas, 8, 12, 55, 57, 69, 76, 131.
_Harlot’s House, The_, 5, 79, 120, 121, 135.
Henley, W. E., 8-10, 58, 64, 79, 102, 105.
_Influence of Baudelaire in France and England, The_, 34.
Le Gallienne, Richard, 5, 58, 65, 80, 82, 102, 132.
_Mademoiselle de Maupin_, 15, 18, 24, 32.
Moore, George, 3, 5-7, 43, 55, 57, 58, 127.
_Non sum qualis eram bonae sub regno Cynarae_, 89.
_On the Kind of Fiction called Morbid_, 43.
Pater, Walter, 5, 48, 52, 57, 101, 104, 108, 135.
Peters, William Theodore, 40, 80, 83, 91, 97-99, 126.
_Renaissance of the Nineties, The_, 2, 21, 41.
Rhymers’ Club, 10, 11, 59, 79, 80, 82, 88, 91, 125.
_Salomé_, 5, 17, 18, 22, 25, 29, 61, 86, 129, 132.
_Savoy, The_, 10-12, 24, 36, 37, 40-46, 50, 89.
Shaw, George Bernard, 12, 42, 102, 110, 127, 130.
_Small Boy and the Barley Sugar, The_, 117.
Smithers, Leonard, 24, 25, 41, 82, 83, 87, 89, 120, 125.
_Symbolist Movement in Literature, The_, 49, 53.
Symons, Arthur, 6, 8, 12, 14, 18, 37, 40-43, 46-54, 63, 79-81, 87, 95, 101, 107, 115, 122, 135.
_To the Café aux Phares de l’Ouest, Quartier Montparnasse_, 98.
Verlaine, Paul, 43, 44, 46, 50, 81, 84, 131, 136.
Whistler, James McNeill, 3, 5, 7, 25, 40, 60, 101, 113.
Wilde, Oscar, 1, 3, 5, 6, 9, 10, 12, 14, 19, 22, 24, 25, 32, 34, 57, 60, 61, 79-82, 84, 86, 89, 101, 111, 114, 120, 121, 125-129, 131, 135.
_Wonderful Mission of Earl Lavender, The_, 93, 94.
Wratislaw, Theodore, 44, 82, 123, 126, 135.
Yeats, W. B., 8, 10, 11, 42, 43, 45, 80, 82, 120.
_Yellow Book, The_, 6, 11, 12, 21, 24, 36-41, 46, 91, 94, 111, 114, 117, 132, 133.
Punctuation, hyphenation, and spelling were made consistent when a predominant preference was found in this book; otherwise they were not changed.
Simple typographical errors were corrected; occasional unbalanced quotation marks retained.
Ambiguous hyphens at the ends of lines were retained.
Whatever foreign language errors may exist in the text are the author’s own, and have been left undisturbed.