Martin leaned back out of the circle of light, keeping up a desultory conversation with the woman beside him, listening to the sounds of the men's voices down corridors, of the front door being opened and slammed again and again, and of forced, shrill giggles of women.
"Unfortunately, I have an engagement to-night," said Martin to the woman beside him, whose large spherical breasts heaved as she talked, and who rolled herself nearer to him invitingly, seeming with her round pop-eyes and her round cheeks to be made up entirely of small spheres and large soft ones.
"Oh, but it is too late. You can break it."
"It's something really romantic, you see."
"The young are always lucky." She rolled her eyes in sympathetic admiration. "This will be the fourth night this week that I have not made a sou.... I'll chuck myself into the river soon."
Martin felt himself softening towards her. He slipped a twenty-franc note in her hand.
"Oh, you are too good. You are really galant homme, you."
Martin buried his face in his hands, dreaming of the woman he would like to love to-night. She should be very dark, with red lips and stained cheeks, like Randolph's girl; she should have small breasts and slender, dark, dancer's thighs, and in her arms he could forget everything but the madness and the mystery and the intricate life of Paris about them. He thought of Montmartre, and Louise in the opera standing at her window singing the madness of Paris....
One of the Australians had gone away with a little woman in a pink negligée. The other Australian and the Englishman were standing unsteadily near the table, each supported by a sleepy-looking girl. Leaving the fat woman sadly finishing the remains of the chicken, large tears rolling from her eyes, they left the house and walked for a long time down dark streets, three men and two women, the Englishman being supported in the middle, singing in a desultory fashion.
They stopped under a broken sign of black letters on greyish glass, within which one feeble electric light bulb made a red glow. The pavement was wet, and glimmered where it slanted up to the lamp-post at the next corner.
"Here we are. Come along, Janey," cried the Australian in a brisk voice.