Lifestylez ov da Poor & Dangerous is the debut studio album by American rapper Big L, and the only to be released during his lifetime. It was released on March 28, 1995, by Columbia Records. Recording sessions took place primarily at Powerplay Studios in Queens, New York, in mid-to-late 1994. Production was handled by Buckwild, Lord Finesse, Showbiz and Craig Boogie.

The album debuted at number 149 on the US Billboard 200 and number 22 on R&B/Hip-Hop Albums, but did not chart internationally. Lifestylez ov da Poor & Dangerous spawned three singles: "Put It On", "M.V.P.", and "No Endz, No Skinz", the first two both peaked within the top 25 on the US Hot Rap Tracks and Hot Dance Singles Sales. Upon its release, the album received positive reviews from music critics, earning praise for Big L's lyricism and wordplay, and is now considered by many fans as a classic album. As of August 2000, the album had sold 200,000 copies, according to Nielsen SoundScan.

Lifestylez ov da Poor & Dangerous

Background

Big L began writing rhymes in 1990 and his first professional appearance came on the B-side of "Party Over Here" by Lord Finesse in 1992. Around this time, L joined Lord Finesse's Bronx-based hip hop group Diggin' in the Crates Crew (D.I.T.C.). The group consisted of Lord Finesse, Diamond D, O.C., Fat Joe, Buckwild, Showbiz and A.G. He founded Harlem centered rap group Children of the Corn with fellow aspiring MC's Killa Cam, Murda Mase, Bloodshed and Herb McGruff; when Bloodshed died in a car accident in 1997, the group later disbanded.

Lifestylez ov da Poor & Dangerous

In 1993, Big L submitted a four track cassette tape to Columbia Records, who soon after signed him to their company. The album title is a play on the 1984-95 Television series, Lifestyles of the Rich and Famous.

Lifestylez ov da Poor & Dangerous

Recording and production

Recording for Lifestylez ov da Poor & Dangerous mainly took place at Powerplay Studios (Queens, New York); the songs "Put It On" and "Danger Zone" were recorded at Unique Studios (New York City, New York) and the songs "M.V.P." and "Street Struck" were recorded at Chung King Studios (New York City, New York). James Niedermeyer worked with Big L on the album and heavily influenced the lyrics on songs such as "Danger Zone" and "All Black".

Lifestylez ov da Poor & Dangerous was produced by mainly members of Big L's group, Diggin' in the Crates Crew: Buckwild, Lord Finesse (who produced most of the album), and Showbiz. Craig Boogie as well as Kid Capri (who was often referred to as an honorary member of D.I.T.C.) also helped with the production of the album. The album also features guest appearances from a young Cam'ron (credited as Killa Cam on "8 Iz Enuff") and Jay-Z (on "Da Graveyard").

Composition

In a 2010 interview with HipHopDX to commemorate the album's 15th anniversary and its re-issue by Traffic Entertainment, Lord Finesse discussed the making of the album.

Concerning "Put It On", he stated: [Columbia Records] wanted something with a hook that would be kinda catchy, and something they could get radio play with. Like, everything [L] did was dark, and it was gangsta, and it was . . . what was the [popular style at the time]? Horror-core. So they needed something bright, something friendly. And "Put It On" just matched everything perfect."

Concerning "M.V.P.", he stated: That song came about because L wanted a commercial, R&B loop that everybody could recognize. And me remembering that [DeBarge] record, and also remembering how Kid Capri used it way back when he did – I forgot which record he did, but he had that [song], and I’m like, "Damn, well maybe we could reinvent that right there." And L heard the loop and was like, "Yeah, that’s it!" But, [with] Diggin’, we had to have the right drums, the right everything [to go with a sample], and we dressed it up in a way where we tried to keep it Hip Hop.

Concerning "8 Iz Enuff", he said: With that [song] L just thought he had to do a track with the rappers from his hood. And he definitely wanted to put on [those particular emcees]… We looking like, "How you gonna put eight niggas on one track?" [And he was like], "Don’t worry, I got this."