Then again we cannot grieve as the conventions would have us grieve--in strange dress; the very fact of wearing crepe and black gloves alienates us from our real selves; we are no longer ourselves, we are mummers engaged in the performance of a masque. I could have mourned my mother better without crêpe. "There never has been invented anything so horrible as the modern funeral," I cried out. A picture of the hearse and the mutes rose up in my mind, and it was at that very moment that the song of the bird broke out again, and just above my head in the larches an ugly, shrilling song of about a dozen notes with an accent on the two last, a stupid, tiresome stave that never varied. "What bird can it be," I cried out, "that comes to interrupt my meditations?" and getting up I tried to discover it amid the branches of the tree under which I had been lying. It broke out again in another tree a little farther away, and again in another. I followed it, and it led me round the wood towards the hilltop to the foot of the steps, two short flights; the second flight, or part of it at least, has to be removed when the vault is opened. It consists, no doubt, of a single chamber with shelves along either side; curiosity leads few into vaults not more than a hundred years old; above the vault is the monument, a very simple one, a sort of table built in, and when my father was buried, a priest scrambled up or was lifted up by the crowd, and he delivered a funeral oration from the top of it.