His tongue loosened; he found himself embracing the chance topic, so hard and impersonal, so beautifully remote from everything that fretted his mind. He had come, magnanimously, to give one fair warning about Donald; but no doubt he planned it that his warning should fall casually, half-buried in other talk. There was such a thing as being too generous for self-interest, of course. Or possibly Charles perceived that the sound of his own voice, running surely along on a subject of which he knew everything, and she knew nothing, gave him just that sense of easy command of the situation which his manly need demanded.
Mary had said courteously: "You think realism is so much easier to write?"
"I've never tried, of course--but doesn't it impress you so? You remember old Meredith said distinctly, that was the cue for little writers. And I must say I think he had an idea what he was talking about. In fact," continued Charles, with unwonted loquacity, while his limousine rolled rapidly, "if I were old and generally recognized as the dean of American novelists--kindly do not laugh--and was visited for counsel by a young writing fellow who had no literary abilities except industry--why, I should say to him at once, 'My dear young man, become a realist, of course. That is really the only line where you will find your want of abilities a positive advantage. If you possess any shred of humor, charm, insight, sympathy, idealism, so-called,--above all, idealism,--and if you are cursed with any sense of form and unity, and feel that a story ought to have a beginning and an end, and be _about_ something in the mean time,--why, trample on all this as you would on so many snakes,' I should say to him. 'Get it fixed firmly in your dull mind that life is dreary and meaningless, or has but a material meaning, if you like, and that sound fiction must behave accordingly. Then,' I should say to my young friend, 'if you will but choose as your heroine a young girl with more looks than character--and not necessarily such a lot of looks either--who comes up to the city to get on, it is inconceivable to me that even you could fail to score a great realistic success.'--'But,' we can imagine this fellow, this nonexistent admirer of mine, saying, 'I don't understand you. What am I, as a creative author, to put in to take the place of the insight, humor, unity, and all the rest that I've eliminated?' 'My poor boy, I've just told you,' I should reply. 'Industry and pessimism. That is all a realist knows and all he needs to know. You tell me you have the industry. I tell you that the pessimism is the easiest little trick to pick up in the world.' But," said Charles, in his own voice, "I fear, Miss Mary, I 'm putting you to sleep with all this musty shop-talk--"