Over the roar of the swarming Britons sounds the clear trumpet‐note pealing out its directions, concise and intelligible as a living voice, and heard by the combatants far and wide, inspiring courage and confidence, and order in the confusion. Brandishing their long swords, the white‐clad warriors of Britain rush tumultuously to the attack. Already, they have filled the ditch and scaled the earthwork; but once and again they recoil from the steady front and rigid discipline of the invader, while the short stabbing sword of the Roman soldier, covered as he is by his ample shield, does fearful execution at close quarters. But still fresh assailants pour in, and the camp is carried and overrun. The young warrior rushes exulting to and fro, and the enemy falls in heaps before him. Such moments are worth whole years of peaceful life. He has reached the prætorium. He is close beneath the eagles, and he leaps wildly at them to bring them off in triumph as trophies of his victory. But a grim centurion strikes him to the earth. Wounded, faint, and bleeding, he is carried away by his comrades, the shaft of the Roman standard in his hand. They bear him to a war‐chariot, they lash the wild galloping steeds, the roll of the wheels thunders in his ears as they dash tumultuously across the plain, and then ... the gentle mission is fulfilled, the doves fly down again to Proserpine, and the young, joyous, triumphant warrior of Britain wakes up a Roman slave.
It was the sound of a chariot, truly enough, that roused the dreamer from his slumbers; but how different the scene on which his drowsy eyes unclosed, from that which fancy had conjured up in the shadowy realms of sleep!
A beautiful portico, supported on slender columns of smooth white marble, protected him from the rays of the morning sun, already pouring down with the intensity of Italian heat. Garlands of leaves and flowers, cool and fresh in their contrast with the snowy surface of these dainty pillars, were wreathed around their stems, and twined amongst the delicate carving of their Corinthian capitals. Large stone vases, urn‐shaped and massive, stood in long array at stated intervals, bearing the orange‐tree, the myrtle, and other dark‐green flowering shrubs, which formed a fair perspective of retirement and repose. Shapely statues filled the niches in the wall, or stood out more prominently in the vacant spaces of the colonnade. Here cowered a marble Venus, in the shamefaced consciousness of unequalled beauty; there stood forth a bright Apollo, exulting in the perfection of godlike symmetry and grace. Rome could not finger the chisel like her instructress Greece, the mother of the Arts, but the hand that firmly grasps the sword need never want for anything skill produces, or genius creates, or gold can buy; so it is no marvel that the masterpieces and treasures of the nations she subdued found their way to the Imperial City, mistress of the world. Even where the sleeper lay reclined upon a couch of curiously‐carved wood from the forests that clothe Mount Hymettus, an owl so beautifully chiseled that its very breast‐plumage seemed to ruffle in the breeze, looked down upon him from a niche where it had been placed at a cost that might have bought a dozen such human chattels as himself; for it had been brought from Athens as the most successful effort of a sculptor, who had devoted it to the honour of Minerva in his zeal. Refinement, luxury, nay, profusion, reigned paramount even here outside the sumptuous dwelling of a Roman lady: and the very ground in her porch over which she was borne, for she seldom touched it with her feet, was fresh swept and sanded as often as it had been disturbed by the tread of her litter‐bearers, or the wheels of her chariot.