In that time he tasted with his own lips the bitterness which makes the most wretched death sweeter by comparison than bread and honey to the hungry. At the end of it, when he stole away a madman, he felt within his own soul the cracking and upheaving of some immensity, and saw or felt the opening of abysses from which rose fearful exhalations of crime, shapes of corruption, things without shape that provoked to rage, pain and madness. He was not without cunning, since he closed the doors softly, stole away in the shadows of the house and the avenue, and escaped to a distant wood unseen. From his withered face all feeling except horror had faded. Once deep in the wood, he fell under the trees like an epileptic, turned on his face, and dug the earth with hands and feet and face in convulsions of pain.

The frightened wood-life, sleeping or waking, fled from the great creature in its agony. In the darkness he seemed some monster, which in dreadful silence, writhed and fought down a slow road to death. He was hardly conscious of his own behavior, poor innocent, crushed by the sins of others. He lived, and every moment was a dying. He gasped as with the last breath, yet each breath came back with new torture. He shivered to the root of nature, like one struck fatally, and the convulsion revived life and thought and horror. After long hours a dreadful sleep bound his senses, and he lay still, face downward, arms outstretched, breathing like a child, a pitiful sight. Death must indeed be a binding thing, that father and mother did not leave the grave to soothe and strengthen their wretched son. He lay there on his face till dawn. The crowing of the cock, which once warned Peter of his shame, waked him. He turned over, stared at the branches above, sat up puzzled, and showed his face to the dim light. His arms gathered in his knees, and he made an effort to recollect himself. But no one would have mistaken that sorrowful, questioning face; it was Adam looking toward the lost Eden with his arms about the dead body of his son. A desolate and unconscious face, wretched and vacant as a lone shore strewn with wreckage.

The Art of Disappearing — Part 15

He struggled to his feet after a time, wondering at his weakness. The effort roused and steadied him, his mind cleared as he walked to the edge of the wood and stared at the old house, which now in the mist of morning had the fixed, still, reproachful look of the dead. As if a spirit had leaped upon him, memory brought back his personality and his grief together. Men told afterwards, early laborers in the fields, of a cry from the Endicott woods, so strange and woful that their hearts beat fast and their frightened ears strained for its repetition. Sonia heard it in her adulterous dreams. It was not repeated. The very horror of it terrified the man who uttered it. He stood by a tree trembling, for a double terror fell upon him, terror of her no less than of himself. He staggered through the woods, and sought far-away places in the hills, where none might see him. When the sun drifted in through dark boughs he cursed it, the emblem of joy. The singing of the birds sounded to his ears like the shriek of madmen. When he could think and reason somewhat, he called up the vision of Sonia to wonder over it. The childlike eyes, the beautiful, lovable face, the modest glance, the innocent blushes--had nature such masks for her vilest offspring? The mere animal senses should have recognized at the first this deadly thing, as animals recognize their foes; and he had lived with the viper, believing her the peer of his spotless mother. She was his wife! Even at that moment the passionate love of yesterday stirred in his veins and moved him to deeper horror.

The Art of Disappearing — Part 15