Jasmine's window, high up in the front of the house, never contributed anything to the gaiety of her private meditations, and she used to think that if a famous prisoner, he of Chillon or any other, had been invited to change his outlook with her own, he would soon have begged to be put back in his dungeon. Many human beings, ailing, miserable, poverty-stricken, victims of misfortune or suppliants of fate, have found in a window their salvation. Jasmine was not one of these. She never seemed able to look out of her window without seeing some hunched-up man or wrapped-up woman who was being helped up a flight of steps, at the head of which the conventionally neat parlourmaid would admit them to their doom; and she used to picture these patients when the sleek doors closed behind them being greeted by the various doctors in attitudes like those of the poisoners in the Chamber of Horrors. There was one figure, that of Neil Cream, a gigantic man with a ragged beard and glasses, who stood for her behind every door in Harley Street. In fact, Jasmine was suffering now when she was twenty the kind of nervous distortions of imagination and apprehension through which most London children pass at about eight. And really, considering her experiences in England since she arrived from Italy, so many of them had to do with disease and death and madness that her morbid condition was excusable. When she was staying with Uncle Alec and Aunt Mildred she had been amused by Prince Adalbert, but now, looking back at that experience, she began to feel frightened, just as when one sees a ghost, one is more frightened when the ghost has vanished than when it is actually present. Looking back now on Uncle Matthew's illness she was again seized by a fear and repulsion which at the time had been merged in indignation. Looking back on her visit to Aunt Cuckoo and Uncle Eneas, the whole of it was now shrouded in an atmosphere of unhealthiness; and looking back further still to her last memory of Sirene, even that was blackened by the sorrow of her father's sudden death. As for the house she was living in at the moment, her sensitive mind could not fail to be affected by the thought that so many of the people who passed along that spacious hall and waited round that sombre table littered with old _Punches_ and _Tatlers_ and odd numbers of unusual magazines were either mad or moving in the direction of madness. Sir Hector Grant's waiting-room was probably one of the most oppressive in Harley Street, because it had no window, but was lighted from above by a green dome of glass, to Jasmine curiously symbolical of the kind of imprisonment to which madness subjects the human soul. The absence of Lettice and Pamela at the nursing home, although Jasmine had not the slightest desire to see them or hear them ever again, added in its own way to the general air of depression. When Lettice and Pamela were in the house the sense of contact with the ordinary frivolities of the world was never absent; but without them the house became nothing but a cul-de-sac, a kind of condemned cell, so deep did it lie under the spell of dreadful verdicts.