PRINTED BOOKS WITH PAINTED ILLUMINATIONS.

_Horae_ printed on vellum in Paris; their woodcut decorations; the productions of the earliest printers; the Mazarine Bible; the Mentz _Psalter_; illuminators becoming printers; Italian printed books with rich illuminations; the colophons of the early printers; the books of Aldus Manutius; invention of Italic type; manuscripts illustrated with woodcuts; block-books; the long union of the illuminators' and the printers' art.

Illuminated Manuscripts in Classical and Mediaeval Times — Part 4

ILLUMINATED MANUSCRIPTS OF THE TEUTONIC SCHOOL AFTER THE TENTH CENTURY.

Illuminated Manuscripts in Classical and Mediaeval Times — Part 4

Revival of art in Germany in the eleventh century; the _Missal_ of the Emperor Henry II.; the designs used for stained glass; the advance of manuscript art under Frederic Barbarossa; grotesque monsters; examples of fine German illuminations of the twelfth century; their resemblance to mural paintings; the school of the Van Eycks; the Grimani _Breviary_; Gérard David of Bruges; examples of Flemish miniatures; the use of gold; grotesque figures; the influence of manuscript art on the painters of altar-pieces; the school of Cologne; triptych by the elder Holbein; book illuminated by Albert Dürer; Dutch fifteenth century manuscripts; their decorative beauty; their realistic details; illumination in pen outlines in blue and red.

Illuminated Manuscripts in Classical and Mediaeval Times — Part 4

THE ILLUMINATED MANUSCRIPTS OF ITALY AND SPAIN.

Italian art slow to advance; its degraded state in the twelfth century; illuminators mentioned by Dante; _Missal_ in the Chapter library of Saint Peter's; the monk Don Silvestro in the middle of the fourteenth century; his style of illumination; the monk Don Lorenzo; Fra Angelico as an illuminator; Italian _Pontifical_ in the Fitzwilliam library; manuscripts of the works of Dante and Petrarch; motives of decoration; Italian manuscripts after 1453; introduction of the "Roman" hand; great perfection of writing, and finest quality of vellum; the illuminators Attavante, Girolamo dai Libri, and Liberale of Verona; manuscripts of northern Italy; their influence on painting generally; Italian manuscripts of the sixteenth century, a period of rapid decadence; Giulio Clovio a typical miniaturist of his time; the library of the Vatican; its records of the cost of illuminating manuscripts. The manuscripts of Spain and Portugal; the manuscripts of Moslem countries, especially Persia.