The permanent "surface," or identical susceptibility, of this ebbing and flowing stream of emotion is memory; but the emotion itself, divided into the positive and negative "pole," as we say of love and malice, is an actual projection upon the objective universe of the intrinsic "stuff" or psycho-material "substance" of which the substratum of the soul is actually composed. The other aspects of the soul are, so to speak, the various "tongues" of diversely coloured flame with which the soul pierces the "objective mystery"; but the substance of all these flames is one and the same. It is the soul itself, projected upon the plane of material impression; and thus projected, becoming the conflicting duality to which I give the name of "emotion."
The attribute of "will," also, differs radically from the rest; in the sense that "will" is the power which the soul possesses of encouraging or suppressing, re-vivifying or letting fade, all the other attributes of the soul, including that attribute which is the substance and synthesis of them all and which I name "emotion."
In regard to "emotion" the will can do three separate things. It can encourage the emotion of love and suppress that of malice. It can encourage the emotion of malice and suppress that of love. And finally it can use its energy in the effort, an effort which can never be totally successful, to suppress all emotion, of any kind at all.
Man's complex vision then consists, in simple terms, of self-consciousness, reason, taste, imagination, conscience, instinct, sensation, intuition, will, memory, and emotion. These various activities, differentiated clearly enough in their separate energizing, must never be regarded as absolutely separate "faculties," but rather as relatively separated "aspects." Behind all of them and under all of them is the complex vision itself, felt by all of us in rare moments in its creative totality, but constantly being distorted and obscured as one or other of its primal energies invades the appropriate territory of some other.
The complex vision must not be regarded as the mere sum or accumulated agglomeration of all these. It is much more than this. It is more than a mere formal focussing of its own attributes. It is more than a mere logical unity suspended in a vacuum.