We have seen in what sense, and with what explanation, this characterisation of the German may be allowed to stand; now let us come to the beautiful and amorous Gaedhil. Or rather, let us find a definition which may suit both branches of the Celtic family, the Cymri as well as the Gael. It is clear that special circumstances may have developed some one side in the national character of Cymri or Gael, Welshman or Irishman, so that the observer’s notice shall be readily caught by this side, and yet it may be impossible to adopt it as characteristic of the Celtic nature generally. For instance, in his beautiful essay on the poetry of the Celtic races, M. Renan, with his eyes fixed on the Bretons and the Welsh, is struck with the timidity, the shyness, the delicacy of the Celtic nature, its preference for a retired life, its embarrassment at having to deal with the great world. He talks of the _douce petite race naturellement chrétienne_, his _race fière et timide_, _à l’extérieur gauche et embarrassée_. But it is evident that this description, however well it may do for the Cymri, will never do for the Gael, never do for the typical Irishman of Donnybrook fair. Again, M. Renan’s _infinie délicatesse de sentiment qui caractérise la race Celtique_, how little that accords with the popular conception of an Irishman who wants to borrow money! _Sentiment_ is, however, the word which marks where the Celtic races really touch and are one; sentimental, if the Celtic nature is to be characterised by a single term, is the best term to take. An organisation quick to feel impressions, and feeling them very strongly; a lively personality therefore, keenly sensitive to joy and to sorrow; this is the main point. If the downs of life too much outnumber the ups, this temperament, just because it is so quickly and nearly conscious of all impressions, may no doubt be seen shy and wounded; it may be seen in wistful regret, it may be seen in passionate, penetrating melancholy; but its essence is to aspire ardently after life, light, and emotion, to be expansive, adventurous, and gay. Our word _gay_, it is said, is itself Celtic. It is not from _gaudium_, but from the Celtic _gair_, to laugh; { 84} and the impressionable Celt, soon up and soon down, is the more down because it is so his nature to be up to be sociable, hospitable, eloquent, admired, figuring away brilliantly. He loves bright colours, he easily becomes audacious, overcrowing, full of fanfaronade. The German, say the physiologists, has the larger volume of intestines (and who that has ever seen a German at a table-d’hôte will not readily believe this?), the Frenchman has the more developed organs of respiration. That is just the expansive, eager Celtic nature; the head in the air, snuffing and snorting; _a proud look and a high stomach_, as the Psalmist says, but without any such settled savage temper as the Psalmist seems to impute by those words. For good and for bad, the Celtic genius is more airy and unsubstantial, goes less near the ground, than the German. The Celt is often called sensual; but it is not so much the vulgar satisfactions of sense that attract him as emotion and excitement; he is truly, as I began by saying, sentimental.