What worried me most was that Mr. HOFFE should have so poor an idea of my intelligence as to suppose it possible to impart an atmosphere of probability to a scheme that was pure farce. Yet that was what he tried to do; he wanted me to believe that I was assisting at a comedy. There was no knockabout business; nobody entered the room with a somersault, tripped over a pin or hung his hat on the scenery. They all behaved as if they were presenting us with what is known as a human document, to be regarded _au grand_ (or, at worst, _au petit_) _sérieux_. The fun--and there were some very pleasant touches--was not so much the fun of a huge and preposterous joke, but rather the humour of character or incidental detail. The part of _Lord Glandeville_, who might have been made the most ridiculous butt of imposture, was treated quite solemnly. Indeed, our sympathies were provoked for a man whose finest instincts had been trifled with; who had been suffered to fall in love with the poet-soul of a girl only to find that she was the tool of a gang of rogues. One of them, _Dick Gilder_, might tell him that he (_Glandeville_) was an egoist and that he ought to have fallen in love with the girl's body, as he (_Gilder_) had done, instead of her supposed soul; but that did not help matters much, or prevent our feeling that this treatment of _Glandeville_ was no matter for laughter. And when I go and see a production of Mr. HAWTREY'S I want matter for laughter and nothing else.

The best individual performances were those of Mr. LYSTON LYLE--really excellent as a soldier of fortune--and Miss HELEN HAYE as _Lord Glandeville's_ aunt who lays herself out to defeat the matrimonial designs of the prodigy. Mr. CHARLES HAWTREY was not perhaps at his very best as _Dick Gilder._ He wore an air of detachment and indulged his old habit of looking over the heads of his stage-audience. He had too many set speeches and was not always quite sure what word came next. Still his mere presence is always irresistible.

Punch, or the London Charivari, Vol. 146, April 8, 1914 — Part 19

As _Lord Glandeville_, Mr. VANE TEMPEST, most admirable of buffoons, must have longed to be allowed to make us laugh, but solemnity was his order of the day and he carried it out like a hero. As for Mr. WENMAN, who played the partner that introduced _Lord Glandeville_ to the rest of the "Lotus Publishing Company" (though how that refined nobleman ever made the acquaintance of such a rough diamond is another of the "things we'd like to know"), his face is a gift and he used its mobility to good purpose.

Punch, or the London Charivari, Vol. 146, April 8, 1914 — Part 19