3: Petrarch's version of the tale is here omitted.
4: Juvenal, xv., 131-3, as translated by William Gifford.
5: The close of this letter is given above, pp. 53 _sqq_. (..."a mole amusing itself with a mirror.")
"I have somewhat to say unto thee," if a poor sinner may use the words of his Saviour, and this something for which you are listening, what should it be but what I am wont to tell you? So prepare your mind for patience and your ears for reproaches. For, although nothing could be more alike than our two minds, I have often noticed with surprise that nothing could be more unlike than our acts and resolutions. I frequently ask myself how this happens, not only in your case but in that of certain others of my friends, in whom I note the same contrast. I find no other explanation than that our common mother, nature, made us the same, but that habit, which is said to be a second nature, has rendered us unlike. Would that we might have lived together, for then we should have been but one mind in two bodies.
You may imagine now that I have something really important to tell you, but you are mistaken;--and, as you well know, a thing must be trivial indeed which the author himself declares to be unimportant, for our own utterances are so dear to us that scarcely anyone is a good judge of his own performances, so prone are we to be misled by partiality for ourselves and our works. You, among many thousands, are the only one to be betrayed into a false estimate of your compositions by aversion and contempt, instead of inordinate love,--unless, mayhap, I am myself deceived in this matter, and attribute to humility what is really due to pride. What I mean by all this you shall now hear.
You are familiar, no doubt, with that widely distributed and vulgar, set of men who live by words, and those not their own, and who have increased to such an irritating extent among us. They are persons of no great ability, but of retentive memories; of great industry too, but of greater audacity. They haunt the antechambers of kings and potentates, naked if it were not for the poetic vesture that they have filched from others. Any especially good bit which this one or that one has turned off, they seize upon, more particularly if it be in the mother tongue, and recite it with huge gusto. In this way they strive to gain the favour of the nobility, and procure money, clothes, or other gifts. Their stock-in-trade is partly picked up here and there, partly obtained directly from the writers themselves, either by begging, or, where cupidity or poverty exists, for money. This last case is described by the Satirist: "He will die of hunger if he does not succeed in selling to Paris his yet unheard _Agave_."[2]