[Footnote 5: _"Causeries du Lundi,"_ par Sainte-Beuve. Tome i, pp. 114, 115.]
It was a happy day when the churches were re-opened in Paris, and the soft swelling notes of the _O Salutaris Hostia_ filled the crowded fanes once more. It was as the paean of the faithful over the scattered army of unbelief. Madame Récamier was in request. She held the plate for some charitable object at Saint-Roch, and collected the extraordinary sum of 20,000f. The two gentlemen who attended her could scarcely cleave a way for her through the crowd. People mounted on chairs, on pillars, and the altars of the side chapels, to see her. In these days, dancing was her delight. She was the first to enter the ball-room, and the last to quit it. But this did not last long. She soon gave up the shawl-dance, for which she was famous, though nothing could be more correct and picturesque than the movements she executed while, with a long scarf in her hands, she made it by turns a sash, a veil, and a drapery--drooping, fluctuating, gliding, attitudinizing, with matchless taste. Her reign was absolute. In the promenades of Longchamps, no carriage was watched like hers; and every voice pronounced her the fairest.
Twice only in her life did she meet Bonaparte, and to most persons in her position and at that period those moments would have proved fatal. His eye was as keen for female charms as for weak points in the enemy's line. He saw her first in 1797, during a triumphal fête given at the Luxembourg palace in his honor. He had just returned from his marvellous campaign in Italy and genius was reaping the laurels too seldom bestowed on solid worth. Madame Récamier was not insensible to his military prowess. She stood up to observe his features more plainly, and a long murmur of admiration filled the hall. The young conqueror turned his head impatiently. Who dared to divide public attention with the hero of Castiglione and Rivoli? He darted a harsh glance at his rival, and she sank into her seat. But the beautiful vision rested in his memory. He saw her once again, about two years later, and spoke with her. It was at a banquet given by his brother Lucien, then minister of the interior. Madame Récamier as usual was all in white, with a necklace and bracelets of pearls. The First Consul paid her marked attention, and his words, though insignificant in themselves, meant more than met the ear. His manners, however, were simple and pleasing, and he held a little girl of four years old, his niece, by the hand. He chid Madame Récamier for not sitting next him at dinner, fixed his gaze on her during the music, sent Fouché to express to her his admiring regard, and told her himself that he { 82} should like to visit her at Clichy. But Juliette, though respectful, was discreet. Time flowed on; Napoleon became emperor, and from the giddy height of the imperial throne bethought him of the incomparable lady in white. He had a double conquest to make. Her château was the resort of emigrant nobles who had returned to France, and whose sympathies were all with the past. To break up her circle, to gain her over to his interests, to enhance by her presence the splendor of his dissolute court, were objects well worthy of his plotting, ambitious, and unscrupulous nature. Fouché was again employed as tempter. He remonstrated with her on the species of opposition to the emperor's policy which was fostered in her salons, but found her little disposed to make concessions, or avow any liking for the despot. His genius and exploits, she admitted, had dazzled her at first, but her sentiments had entirely changed since her friends had been persecuted, the Duc d'Enghein put to death, and Madame de Staël driven into exile. In spite of these frank avowals, which were equally respectful and fearless, Fouché persisted in his design, and in the park around Madame Récamier's elegant retreat, urged her, in the emperor's name, to accept the post of _dame du palais_ to the empress. His majesty had never yet found a woman worthy of him, and it was impossible to say how deep might be his affection for one like her; how wholesome an influence she might exert over him; what services she might render to the oppressed of all classes; and how much she might "enlighten the emperor's religion!" Madame Murat, to her shame, seconded these proposals, and expressed her earnest desire that Madame Récamier should be attached to her household, which was now put on the same footing as that of the empress. To these reiterated advances, Madame Récamier returned the most decided refusal, alleging, by way of courtesy, her love of independence as the cause. At last, foiled and irritated, Fouché--the Mephistopheles of the piece--quitted Clichy, never to return.