[Illustration: PL. XLIII--THE PENN BELT. (1/4)]
It will be seen, by reference to the accompanying illustration, that beside the two figures of men there are three oblique bands of dark wampum, one on the left and two on the right. The one next the central group on the right is somewhat broken, and consists of two long bands and one short one. It is probable that these bands were used to record, by association, some important features of the treaty in which the belt was used. The beads are strung upon cords made of sinew or vegetable fibre, while the longitudinal fillets are of buckskin. This belt may be seen at the rooms of the Historical Society of Pennsylvania.
[Illustration: PL. XLIV--STRINGS OF WAMPUM. 1. Name of New Chief. 2. "Mohawk."]
It would probably be vain to attempt to determine how pendant ornaments first came into use, whether from some utilitarian practice or through some superstitious notion. It matters not, however, whether the first pendant was an implement, a utensil, or a fetichitic talisman; it has developed by slow stages into an ornament upon which has been lavished the best efforts of culture and skill. The simple gorget of shell suspended upon the naked breast of the preadamite is the prototype of many a costly jewel and many a princely decoration. With the American savage it was a guardian spirit, invested with the mystery and the power of the sea, and among the more cultured tribes became in time the receptacle of the most ambitious efforts of a phenomenal art. The important place the gorget has taken in ornament and as a means of displaying personal aggrandizement has made it a most powerful agent in the evolution of the arts of taste.
As a rule the larger and more important pendants are employed as gorgets, but vast numbers of the smaller specimens are strung with beads at intervals along the strings, attached as auxiliary pendants to the larger gorgets, suspended from the nose, ears, and wrists, or form tinkling borders to head-dresses and garments. These pendants consist either of entire shells, or of parts of shells, pierced or grooved to facilitate suspension. The purely artificial forms are infinitely varied. The character of the shell, however, has much to do with the form of the finished ornaments, deciding their thickness and often their outline. In size they range from extremely minute forms to plates six or more inches in diameter. The perforations, in position and number, are greatly varied, but as a rule the larger discoidal pendants will be found to have two marginal perforations for suspension.