BLUNT, WILFRID SCAWEN.--The Love Lyrics & Songs of Proteus by Wilfrid Scawen Blunt, with the Love Sonnets of Proteus by the same author. Now reprinted in their full text with many Sonnets omitted from the earlier editions [Reeves & Turner] London MDCCCXCII. _Small 4to, parchment covers, uncut edges._
Three hundred copies printed by William Morris at the Kelmscott Press.
BLUNT, WILFRID SCAWEN.--In Vinculis. By Wilfrid Scawen Blunt. London Kegan Paul, Trench & Co. . . . MDCCCLXXXIX. _Crown 8vo, original covers, uncut edges._
Large paper copy, fifty printed, with etched portrait of the author, Japan proof.
BOADEN, FORSTER, AND OTHERS.--(I.) An Inquiry into the Authenticity of various Pictures and Prints, which, from the decease of the poet to our own times, have been offered to the public as Portraits of Shakspeare: containing a careful examination of the evidence on which they claim to be received; by which the pretended portraits have been rejected, the genuine confirmed and established. Illustrated by accurate and finished engravings, by the ablest artists, from such originals as were of indisputable authority. By James Boaden, . . . London: printed for Robert Triphook, . . . 1824. (II.) A Few Remarks by Henry Rumsey Forster on the Chandos portrait of Shakspeare, recently purchased at Stowe, for the Right Hon. The Earl of Ellesmere. And a letter upon the Same, by H. Rodd. London: [No. 28 of] fifty copies printed for private distribution, 1849. (III.) On the Principal Portraits of Shakspeare. (From "Notes & Queries," April 23, 1864). By George Scharf. (IV.) An Inquiry into the History, Authenticity, and Characteristics of the _Shakspere_ Portraits; the death mask Martin Droeshout's engraving, the Chandos picture, the Janssen, and others of that period; together with the Stratford monument, Roubiliac's, and the one in Westminster Abbey. _Royal 4to, four works in one volume (the last three inlaid to 4to), half red levant morocco, gilt back, gilt top, uncut edges, by Bradstreet's._
Large paper copy. Besides the seven portraits published with the first work, there are inserted five views, one facsimile, and ten other portraits, including those engraved by R. Cooper, Neagle, Scriven, J. Cochran, Lud. Du Guernier, W: Sharp, and W. Holl.