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PROFESSOR IN THE FACULTY OF LETTERS, PARIS; MEMBER OF THE INSTITUTE
ILLUSTRATED WITH FIVE HUNDRED AND NINETY-EIGHT ENGRAVINGS IN THE TEXT, AND FOURTEEN STEEL AND COLOURED PLATES.
TRANSLATED AND EDITED BY WALTER ARMSTRONG, B. A., OXON., AUTHOR OF "ALFRED STEVENS," ETC.
CIVIL AND MILITARY ARCHITECTURE. § 1. The Graphic Processes employed by the Egyptians in their representations of Buildings § 2. The Palace § 3. The Egyptian House § 4. Military Architecture
METHODS OF CONSTRUCTION, THE ORDERS, SECONDARY FORMS. § 1. An Analysis of Architectural Forms necessary § 2. Materials § 3. Construction § 4. The Arch § 5. The Pier and Column.--The Egyptian Orders Their Origin General Types of Supports § 6. The Ordonnance of Egyptian Colonnades § 7. Monumental Details § 8. Doors and Windows Doors Windows § 9. The Illumination of the Temples § 10. The Obelisks § 11. The Profession of Architect
SCULPTURE. § 1. The Origin of Statue-making § 2. Sculpture under the Ancient Empire § 3. Sculpture under the First Theban Empire § 4. Sculpture under the Second Theban Empire § 5. The Art of the Saite Period § 6. The Principal Themes of Egyptian Sculpture § 7. The Technique of the Bas-reliefs § 8. Gems § 9. The Principal Conventions in Egyptian Sculpture § 10. The General Characteristics of the Egyptian Style
PAINTING. § 1. Technical Processes § 2. The Figure § 3. Caricature § 4. Ornament
THE INDUSTRIAL ARTS. § 1. Definition and Characteristics of Industrial Art § 2. Glass and Pottery § 3. Metal-work and Jewelry § 4. Woodwork § 5. The Commerce of Egypt
THE GENERAL CHARACTERISTICS OF EGYPTIAN ART, AND THE PLACE OF EGYPT IN ART HISTORY
COLOURED PLATES. Thebes, the Pavilion of Medinet-Abou, restored Portico in the temple of Medinet-Abou, restored Rahotep and Nefert, Boulak Museum The _Scribe_, Louvre The Queen Taia, Boulak Museum Funerary offerings, fragment of a painting upon plaster, Louvre Tomb of Ptah-hotep, fragment of Western Wall Tomb of Ptah-hotep, ceiling and upper part of Western Wall