For the first time touched with timidity, he turns towards the blossoming bower from which the voice had come. The branches part, and reveal Kundry, youthful, gorgeously apparelled and superlatively beautiful, lying upon a flowery bank. "Did you mean the name you spoke for me, who have no name?" Parsifal asks, standing shyly apart.

"I called you, guileless Innocent, Parsifal.... By this name your father Gamuret, expiring in Arabian land, called his unborn son. I have sought you here to tell you this...."

The Wagnerian Romances — Part 10

"Never had I seen," sighs Parsifal, "never dreamed, such a thing as I now see and am filled with awe!... Are you, too, a flower in this garden of flowers?" "No, Parsifal. Far, far away is my home. I came here only that you might find me. I came from distant lands where I witnessed many things...." With the calm notes of the Arch-enchantress, perfectly sure of her power, she unfolds to him the story of his own past further back than he can remember, which is of the things she professes to have ocularly witnessed,--his life with Herzeleide; she relates the death of the latter from grief over his loss. She takes him in hand with easy masterliness in the art of reducing a youthful heart. She does not stint to appear to one so boyish much older and very wise. Not one discomposing word does she utter about love,--but she brings his heart to a state of fusion by the picture of his mother's sorrowful end, and when, overcome by anguish and remorse, he sinks at her feet with the cry: "What have I done?... Sweetest, loveliest mother! Your son, your son must bring about your death!..." she gently places her arm about his neck and administers needed comfort: "Never before had you known sorrow, and so have not known either the sweetness of consolation. Let sorrow and regret be washed away in the consolation proffered to you by Love!" But Parsifal, the compassionate, cannot so soon be diverted from the rending thought of his mother, and continues despite the fair arm on his neck and the balmy breath in his hair, with his passionate self-reproach: "My mother! I could forget my mother! Ha! What else have I forgotten? What, indeed, have I ever remembered? Naught but utter folly dwells in me!" Kundry again attempts setting him right with himself and offers the cheer: "Acknowledgment of your fault will place a term to remorse. Consciousness of folly will turn folly into sense...." Then, not quite relevantly, "Learn to know the love which enfolded Gamuret when Herzeleide's affection burningly overflowed,..." With the assurance that she who gave him life now sends him as a mother's last blessing the First Kiss of Love, she bends over him and places her lips upon his in a prolonged Wagnerian kiss. The sorcery-motif is heard weaving its unholy snare. Of a sudden, with an abruptness as unexpected as it is disconcerting, Parsifal tears himself from her embrace, leaps to his feet, and pressing his hands to his heart, as if there were the seat of an intolerable pain, "Amfortas!" he cries, staring like one who sees ghosts, "the wound! the wound!..." That has been the effect of her kiss upon his innocence, to give him sudden clairvoyance into her nature, to cast a lightning flash upon the past. He feels himself for a moment identified with Amfortas, whom the woman had kissed as she kissed him. Amfortas's wound burns in his own side. Not only that: the sinful, disorderly, unsubduable passion torturing Amfortas, for a moment tortures equally Parsifal, whose nature is thrown by it into a horror of self-hatred, and casts itself upon frenzied prayer for deliverance and pardon. Pardon, for although this experience can be thought an effect of mysterious insight, Parsifal recognises as a crime that he should be in these circumstances at all. He remembers that he had known himself as one marked for a sacred mission. He remembers the vision of the Grail, and that the Saviour had seemed to speak from it to his inmost soul: "Deliver me! Save me from sin-polluted hands!" "And I," he groans, "the fool! the coward! I could rush to the insensate exploits of a boy!"

The Wagnerian Romances — Part 10