Observe also the pale young man who lodges in some remote garret by Limehouse Hole. He has but a room, and his landlady declines the responsibility of "doing" for him. He must, therefore, do his own shopping, and he does it about as badly as it can be done. His demeanour suggests a babe among wolves, innocence menaced by the wiles of Babylon; and sometimes motherly old dears audibly express pity at his helplessness, which flusters him still more, so that he leaves his change on the counter.

The road is a black gorge, rent with dancing flame. The public-house lamps flare with a jovial welcome for the jaded shopper, and every moment its doors flap open, and fling their fire of joy on the already overcharged air. Between the stalls parade the youth and beauty, making appointments for the second house at the Poplar Hippodrome, or assignations for Sunday evening.

Nights in London — Part 85

As the stalls clear out the stock so grows the vociferousness of their proprietors, and soon the ear becomes deadened by the striving rush of sound. Every stall and shop has its wide-mouthed laureate, singing its present glories and adding lustre to its latest triumphs.

Nights in London — Part 85

"I'll take any price yeh like, price yeh like! Comerlong, comerlong, Ma! This is the shop that does the biz. Buy-buy-buy-uy!"

Nights in London — Part 85

"Walk up, ladies, don't be shy. Look at these legs. Look at 'em. Don't keep looking at 'em, though. Buy 'em. Buy 'em. Sooner you buy 'em sooner I can get 'ome and 'ave my little bath. Come along, ladies; it's a dirty night, but thank God I got good lodgings, and I hope you got the same. Buy-buy-buy!"

"'Ere's yer lovely bernanas. Fourer penny. Pick 'em out where yeh like!"

In one ear a butcher yells a madrigal concerning his little shoulders. In the other a fruit merchant demands to know whether, in all your nacheral, you ever see anything like his melons. Then a yard or so behind you an organ and cornet take up their stand and add "Tipperary" to the swelling symphony. But human ears can receive so much, and only so much, sound; and clapping your hands over your ears, you seek the chaste seclusion, for a few minutes, of the saloon of "The Black Boy," or one of the many fried-fish bars of the Lane.

Still later in the evening the noise increases, for then the stalls are anxious to clear out their stock at any old price. The wise wife--and Johnnie's missus is one--waits until this hour before making her large purchases. For now excellent joints and rabbits and other trifles are put up for auction. The laureates are wonderful fellows, many of them, I imagine, decayed music-hall men. A good man in this line makes a very decent thing out of it. The usual remuneration is about eight or ten shillings for the night and whatever beer they want. And if you are shouting for nearly six hours in the heavy-laden air of Salmon Lane, you want plenty of beer and you earn all you get. They have a spontaneous wit about them that only the Cockney possesses. Try to take a rise out of one of them, and you will be sadly plucked. Theirs is Falstaffian humour--large and clustering: no fine strokes, but huge, rich-coloured sweeps. It is useless to attempt subtleties in the roar of a Saturday night. What you have to aim at is the obvious--but with a twist; something that will go home at once; something that can be yelled or, if the spirit moves you, sung. It is, in a word, the humour of the Crowd.