Once in the city, and this impression of the extreme of artificial life deepens. Everything—streets, dwellings, shops, squares, fountains, monuments—has been made as fine as it well could be; but all has been made, nothing has been let to grow; and in the monotony of construction one longs to see something that reveals individuality in its maker or itself. Humanity has the same stamp, and it is only the intense vivacity common to its various national types that gives the pleasing sense of variety. Dress, habit, bearing, manners, are singularly after one style, a better one in some respects, we will admit, than we have as yet found time to cultivate. In minor manners this is most noticeable. The ready “good morning,” and “thank you,” are on the lips of every servant and child, and the prompt “beg pardon” reconciles one to an occasional rudeness or lack of care. It is only fair to say, however, that in a crowd where an American might tread on one’s toes and never say a word, yet be most careful not to repeat the offence, the Frenchman would politely “beg pardon,” and while replacing the lifted hat, tread on the unlucky toes again. Still, there is something flattering to vanity in the easy deference that makes the waiter help you on with your overcoat with an air that thanks you for permitting him the honor, and the wheels of the traveler’s life do run more smoothly for the lubricating of French good manners. How mightily it helps the sales in the inevitable round of shopping that beguiles all womankind in Paris,—except of course, Chautauquans, good and true. American tradesmen might well learn a lesson here, and by practice take to themselves many a reluctant dollar that now stays pocket-safe, because of the gruffness or superciliousness of some airy clerk. But of all places, Paris needs no such addition as courtesy to the attractive seductions which her tasteful displays of beautiful things offer to the foreign purse. Her shop windows alone would draw one’s money up from the depths of the pocket, through the bewitchment of the eye. No matter how small the window, no matter how hideous the name of the shop—and these are of all names, from “Good Angel” to “Good Devil”—the very most and best is made of the goods to charm the eye and cause the passer’s step to halt. Halting, he is sure to enter; entering, he is sure to buy, and lucky the man or woman who escapes with a few lone rattling sous as _pour boire_ for the cabman whom he hails to drive him home.
Crime Brief
The Chautauquan, Vol. III, February 1883 — Part 72
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