A few interviews with Gertrude served to dispel, in a great measure, these feelings. Her ready tact, and quick, womanly sympathies, served to bridge over the chasm to Rose's naturally trusting heart.

Oh, that parting with the life-boat of faith--that unsettled, drifting, sinking, weary feeling--that turning away even from the substance, for fear of the mocking shadow--that heart-isolation which makes a desert of the green earth, with all its fragrance, and music, and sunshine--who that has known misfortune has not deplored it? Who has not striven in vain to get anchored back again where never a ripple of distrust might disturb his peace.

Rose Clark — Part 100

"Tell me how you like it," said Gertrude, placing Charley's finished picture in the most favorable light. "Now don't say you are no connoisseur, that is only a polite way of declining to give an unfavorable opinion. Find all the fault you can with it; you at least should know if it is true to life."

Rose Clark — Part 100

"It is perfect," said Rose, delightedly; "it is Charley's own self; he _is_ a pretty boy," said the proud mother, looking alternately from him to the picture.

Rose Clark — Part 100

"You must remember," said Gertrude, "that of all the different expressions of a loved face, which the heart has daguerreotyped, the artist can catch but one, and that one may not always be to friends the favorite expression; hence you see, with all our good intentions, the craft sometimes labor to disadvantage. However, I seldom paint portraits; my forte is 'still life;' so, of course," she added, laughing; "your mercurial little _Charley_ was quite out of my orbit, but thanks to flowers and lump-sugar, I think I may say there is his double."

"A mother's eye sees no flaw in it," said Rose.

"Thank you," said Gertrude, with a gratified smile. "It has already found a purchaser. A gentleman who was in my studio this morning thought it a fancy sketch, and would not believe me when I told him that there was a beautiful living type; he offered me a sum for it that would at one time have made my heart leap; I can afford to refuse it now."

"How early did your artistic talent develop itself?" asked Rose.

"I was always fond of pictures," replied Gertrude; "but the 'talent' which prosperity 'folded in a napkin,' the rough hand of adversity shook out."