The Norman piers of the choir and the monuments described in § X. should be noticed from the aisle, the pavement of which has been laid in square panels of red and green tiles, with a border of grey stone. In the north wall of the aisle is a series of arched recesses, of Decorated character, with the open-flower ornament in the mouldings, episcopal heads at the crown of the arches, and heads of ecclesiastics at the intersections. In the first of these recesses east of the transept, is an effigy assigned to Bishop GEOFFRY DE CLIVE, (died 1120). This is one of the series of Perpendicular effigies already noticed, (§ X.) Beyond this recess a door opens to the turret staircase leading to the Archive Room and Chapter Library, (see § XXIII.,) above the north transept. The effigy in the next recess (also Perpendicular) is given to Bishop HUGH DE MAPENORE, (died 1219). The window above is filled with stained glass, by Clayton and Bell, as a memorial of JOHN HUNT, organist, died 1842, and his nephew James, “who died of grief three days after his uncle;” as appears from an inscription on a small brass plate at the side of the window. Beyond the entrance to Bishop Stanbery’s chapel is an arch open to the chapel itself, under which is a Perpendicular effigy assigned to Bishop RICHARD, (called “de Capella,”) died 1127.

XIV. _Bishop Stanbery’s Chantry_ (1453-1474) [Plate VI.] is a good example of rich late Perpendicular. It is 16 ft. by 8 ft.; with two windows on the north side, (filled with stained glass, which forms part of the Musgrave memorial; see _post_,) and on the south the entrance, and the arch with effigy already mentioned. The west end is covered with tracery and shields in panels; and the east has shields with emblems above the place of the altar. The ceiling is richly groined. The grotesque capitals at the angles of the chapel should be remarked; as should the shields with emblems of St. Matthias, St. Thomas, and St. Bartholomew, over the arch on the south side. Other shields bear the arms of the see and of the deanery, with those assigned to St. Ethelbert, and to Leofric of Mercia.

The Three Choirs: A Handbook to the Cathedrals of Gloucester, — Part 47

Bishop Stanbery’s monument (§ X.) is on the wall of the choir immediately opposite his chantry. On the

The Three Choirs: A Handbook to the Cathedrals of Gloucester, — Part 47