Was Augustin, who still thought of becoming an official, going to mix in with this lot of swindlers, assassins, and brute beasts? As he studied them near at hand, he felt his goodwill grow weak. Like all those who belong to worn-out generations, he must have been disgusted with action and the villainies it involves. Just before great catastrophes, or just after, there is an epidemic of black pessimism which freezes delicate souls. Besides, he was ill--a favourable circumstance for a disappointed man if he entertains thoughts of giving up the world. In the fogs of Milan his chest and throat became worse and worse. And then it is likely enough that he was not succeeding better as rhetorician than he had at Rome. It was a kind of fatality for all Africans. However great their reputation in their own country, that was the end of it as soon as they crossed the sea. Apuleius, the great man of Carthage, had tried the experiment to his cost. They had made fun of his guttural Carthaginian pronunciation. The same kind of thing happened to Augustin. The Milanese turned his African accent into ridicule. He even found among them certain purists who discovered solecisms in his phrases.
But these scratches at his self-respect, this increasing disgust of men and things, were small matters compared to what was going on within him. Augustin had a sick soul. The forebodings he had always been subject to were now become the suffering of every moment. At certain times he was assailed by those great waves of sadness which unfurl all of a sudden from the depths of the unknown. In such minutes we believe that the whole world is hurling itself against us. The great wave rolled him over; he got up again all wounded. And he felt stretch forth in him a new will which was not his own, under which the other, the will to sin, struggled. It was like the approach of an invisible being whose contact overcame him with an anguish which was full of pleasure. This being wanted to open out within him, but the weight of his old sins prevented. Then his soul cried out in pain.
In those moments, what a relief it was to let himself float on the canticles of the Church! The liturgical chants were then something new in the West. It was in the very year we are dealing with that St. Ambrose started the custom in the Milanese basilicas.