Voices and an accordion sounded as if close
by, though through the mist nobody could
be seen. It was a work-day morning, and I
was surprised to hear music.
"Oh, it's the recruits' leave-taking," thought I, remembering that I had heard something a few days before about five men being drawn from our village. Involuntarily attracted by the merry song, I went in the direction whence it proceeded.
As I approached the singers, the sound of song
and accordion suddenly stopped. The singers, that is the lads who were leave-taking, entered the double-fronted brick cottage belonging to the father of one of them. Before the door stood a small group of women, girls, and children.
While I was finding out whose sons were going, and why they had entered that cottage, the lads themselves, accompanied by their mothers and sisters, came out at the door. There were five of them: four bachelors and one married man. Our village is near the town where nearly all these conscripts had worked. They were dressed town-fashion, evidently wearing their best clothes: peajackets, new caps, and high, showy boots. Conspicuous among them was a young fellow, well built though not tall, with a sweet, merry, expressive face, a small beard and mustache just beginning to sprout, and bright hazel eyes. As he came out, he at once took a big, expensive-looking accordion that was hanging over his shoulders and, having bowed to me, started playing the merry tune of "Bárynya," running his fingers nimbly over the keys and keeping exact time, as he moved with rhythmic step jauntily down the road.
Beside him walked a thick-set, fair-haired lad, also of medium height. He looked gaily from side to side, and sang second with spirit, in harmony with the first singer. He was the married one. These two walked ahead of the other three, who were also well dressed, and not remarkable in any way except that one of them was tall.
Together with the crowd I followed the lads. All their songs were merry, and no expression of grief was heard while the procession was going along; but as soon as we came to the next house at which the lads were to be treated, the lamentations of the women began. It was difficult to make out what they were saying; only a word here and there could be distinguished: "death ... father and mother ... native land ..."; and after every verse, the woman who led the chanting took a deep breath, and burst out into long-drawn moans, followed by hysterical laughter. The women were the mothers and sisters of the conscripts. Beside the lamentations of these relatives, one heard the admonitions of their friends.
"Now then, Matryóna, that's enough! You
must be tired out," I heard one woman say, consoling
another who was lamenting.
The lads entered the cottage. I remained outside, talking with a peasant acquaintance, Vasíly Oréhof, a former pupil of mine. His son, one of the five, was the married man who had been singing second as he went along.
"Well," I said, "it is a pity!"
"What's to be done? Pity or not, one has to
serve."
And he told me of his domestic affairs. He
had three sons: the eldest was living at home, the second was now being taken, and a third (who, like the second, had gone away to work) was contributing dutifully to the support of the home. The one who was leaving had evidently not sent home much.
"He has married a townswoman. His wife is
not fit for our work. He is a lopped-off branch
and thinks only of keeping himself. To be sure
it's a pity, but it can't be helped!"
While we were talking, the lads came out into
the street, and the lamentations, shrieks, laughter, and adjurations recommenced. After standing about for some five minutes, the procession moved on with songs and accordion accompaniment. One could not help marveling at the energy and spirit of the player, as he beat time accurately, stamped his foot, stopped short, and then after a pause again took up the melody most merrily, exactly on the right beat, while he gazed around with his kind, hazel eyes. Evidently he had a real and great talent for music.