Late that evening, after seeing Mrs. Spaniel and her brood safely installed, Gissing walked to the station with his suitcase. He felt a pang as he lifted the mosquito nettings and kissed the cool moist noses of the sleeping trio. But he comforted himself by thinking that this was no merely vulgar desertion. If he was to raise the family, he must earn some money. His modest income would not suffice for this sudden increase in expenses. Besides, he had never known what freedom meant until it was curtailed. For the past three months he had lived in ceaseless attendance; had even slept with one ear open for the children's cries. Now he owed it to himself to make one great strike for peace. Wealth, he could see, was the answer. With money, everything was attainable: books, leisure for study, travel, prestige--in short, command over the physical details of life. He would go in for Big Business. Already he thrilled with a sense of power and prosperity.

The little house stood silent in the darkness as he went down the path. The night was netted with the weaving sparkle of fireflies. He stood for a moment, looking. Suddenly there came a frightened cry from the nursery.

Where the Blue Begins — Part 21

He nearly turned to run back, but checked himself. No, Mrs. Spaniel was now in charge. It was up to her. Besides, he had only just enough time to catch the last train to the city.

Where the Blue Begins — Part 21

But he sat on the cinder-speckled plush of the smoker in a mood that was hardly revelry. “By Jove,” he said to himself, “I got away just in time. Another month and I couldn't have done it.”

Where the Blue Begins — Part 21

It was midnight when he saw the lights of town, panelled in gold against a peacock sky. Acres and acres of blue darkness lay close-pressing upon the gaudy grids of light. Here one might really look at this great miracle of shadow and see its texture. The dulcet air drifted lazily in deep, silent crosstown streets. “Ah,” he said, “here is where the blue begins.”

“For students of the troubled heart Cities are perfect works of art.”

There is a city so tall that even the sky above her seems to have lifted in a cautious remove, inconceivably far. There is a city so proud, so mad, so beautiful and young, that even heaven has retreated, lest her placid purity be too nearly tempted by that brave tragic spell. In the city which is maddest of all, Gissing had come to search for sanity. In the city so strangely beautiful that she has made even poets silent, he had come to find a voice. In the city of glorious ostent and vanity, he had come to look for humility and peace.