"... The only thing left was to get into the house, and that was a difficulty which to me singly would have been insurmountable, for I am terribly shy in making myself known to strangers and out-of-date kinsfolk. Love, stronger than scruple, winged my cousin in without me; but she soon returned with a creature that might have sat to a sculptor for the image of Welcome.... To have seen Bridget and her,--it was like the meeting of the two scriptural cousins! There was a grace and dignity, an amplitude of form and stature answering to her mind in this farmer's wife, which would have shined in a palace...."
To return to the days of childhood, Mary also paid visits to her maternal grandmother Field, housekeeper to the Plumers at their stately but forsaken mansion of Blakesware; but here the pleasure was mingled with a kind of weird solemnity. Mary has left on record her experiences in a tale which forms a sort of pendant to _Blakesmoor in H----shire_ by Elia. Her story is called _Margaret Green, the Young Mahometan_, also from _Mrs. Leicester's School_ and, apart from a slight framework of invention ("Mrs. Beresford," her grandmother, being represented as the owner instead of housekeeper of the mansion), is minutely autobiographical. "Every morning when she (Mrs. Beresford) saw me she used to nod her head very kindly and say 'How do you do, little Margaret?' But I do not recollect that she ever spoke to me during the remainder of the day, except indeed after I had read the psalms and the chapters which was my daily task; then she used constantly to observe that I improved in my reading and frequently added, 'I never heard a child read so distinctly.' When my daily portion of reading was over I had a taste of needle-work, which generally lasted half an hour. I was not allowed to pass more time in reading or work, because my eyes were very weak, for which reason I was always set to read in the large-print family Bible. I was very fond of reading, and when I could, unobserved, steal a few minutes as they were intent on their work, I used to delight to read in the historical part of the Bible; but this, because of my eyes, was a forbidden pleasure, and the Bible being never removed out of the room, it was only for a short time together that I dared softly to lift up the leaves and peep into it. As I was permitted to walk in the garden or wander about the house whenever I pleased, I used to leave the parlour for hours together, and make out my own solitary amusement as well as I could. My first visit was always to a very large hall, which, from being paved with marble, was called the Marble Hall. The heads of the twelve Cæsars were hung round the hall. Every day I mounted on the chairs to look at them and to read the inscriptions underneath, till I became perfectly familiar with their names and features. Hogarth's prints were below the Cæsars. I was very fond of looking at them and endeavouring to make out their meaning. An old broken battledore and some shuttle-cocks with most of the feathers missing were on a marble slab in one corner of the hall, which constantly reminded me that there had once been younger inhabitants here than the old lady and her grey-headed servants. In another corner stood a marble figure of a satyr; every day I laid my hand on his shoulder to feel how cold he was. This hall opened into a room full of family portraits. They were all in dresses of former times; some were old men and women, and some were children. I used to long to have a fairy's power to call the children down from their frames to play with me. One little girl in particular, who hung by the side of the glass door which opened into the garden, I often invited to walk there with me; but she still kept her station, one arm round a little lamb's neck and in her hand a large bunch of roses. From this room I usually proceeded to the garden. When I was weary of the garden I wandered over the rest of the house. The best suite of rooms I never saw by any other light than what glimmered through the tops of the window-shutters, which, however, served to show the carved chimney-pieces and the curious old ornaments about the rooms; but the worked furniture and carpets of which I heard such constant praises I could have but an imperfect sight of, peeping under the covers which were kept over them by the dim light; for I constantly lifted up a corner of the envious cloth that hid these highly praised rareties from my view.