The Cardinal came at least twice a day to see me, bringing with him Messer Luigi Alamanni and Messer Gabriel Cesano; [3] and here we used to pass an hour or two pleasantly together. Notwithstanding I had very much to do, he kept giving me fresh commissions. Among others, I had to make his pontifical seal of the size of the hand of a boy of twelve. On it I engraved in intaglio two little histories, the one of San Giovanni preaching in the wilderness, the other of Sant Ambrogio expelling the Arians [4] on horseback with a lash in his hand. The fire and correctness of design of this piece, and its nicety of workmanship, made every one say that I had surpassed the great Lautizio, who ranked alone in this branch of the profession. The Cardinal was so proud of it that he used to compare it complacently with the other seals of the Roman cardinals, which were nearly all from the hand of Lautizio.
Note 1. This assertion is well supported by contemporary letters of Caro and Alamanni.
Note 2. 'Pulitezza.' This indicates precision, neatness, cleanness of execution.
Note 3. The name of Cesano is well known in the literary correspondence of those times.
Note 4. It will be remembered that the Cardinal was Archbishop of Milan.
IN addition to these things the Cardinal ordered me to make the model for a salt-cellar; but he said he should like me to leave the beaten track pursued by such as fabricated these things. Messer Luigi, apropos of this salt-cellar, made an eloquent description of his own idea; Messer Gabriello Cesano also spoke exceedingly well to the same purpose. The Cardinal, who was a very kindly listener, showed extreme satisfaction with the designs which these two able men of letters had described in words. Then he turned to me and said: My Benvenuto, the design of Messer Luigi and that of Messer Gabriello please me both so well that I know not how to choose between them; therefore I leave the choice to you, who will have to execute the work. I replied as follows: It is apparent, my lords, of what vast consequence are the sons of kings and emperors, and what a marvellous brightness of divinity appears in them; nevertheless, if you ask some poor humble shepherd which he loves best, those royal children or his sons, he will certainly tell you that he loves his own sons best. Now I too have a great affection for the children which I bring forth from my art; consequently the first which I will show you, most reverend monsignor my good master, shall be of my own making and invention. There are many things beautiful enough in words which do not match together well when executed by an artist. Then I turned to the two scholars and said: You have spoken, I will do. Upon this Messer Luigi Alamanni smiled, and added a great many witty things, with the greatest charm of manner, in my praise; they became him well, for he was handsome of face and figure, and had a gentle voice. Messer Gabriello Cesano was quite the opposite, as ugly and displeasing as the other was agreeable; accordingly he spoke as he looked.