Aniceto Nazareth (30 July 1938 – 8 March 2021) was a Roman Catholic priest of the Archdiocese of Bombay, musician, published composer and liturgist.

Family history

Born in Bombay, Aniceto was the youngest of 14 children, two of them girls. His father was John Christopher Nazareth of Pomburpa, a small tourist resort, known for its warm and cold springs; and mother Umbelina Vaz of Uccaçaim, Goa. Both parents played the violin. Three of his siblings chose the religious life, Stephen and Aniceto as diocesan priests and Edvige as a Salesian Sister.

Aniceto Nazareth

His parents encouraged and did everything to educate their children in the world of music. Their gifts always included music sheets, recorded music, a better piano and other musical instruments. Aniceto regularly accompanied his brothers to concerts, movies and the All India Radio and other studios to make recordings. His mother took him daily for Mass which was then in Latin.

Aniceto Nazareth

Early life and musical background (1938-1956) As was the custom in colonial times in the city of Bombay (now Mumbai), Aniceto's formal education started only by age six. Following his admission test at St. Xavier's High School Fort, he was directly assigned to Std IV. His drill teacher asked him to play Marches at the calisthenics class. At the age of 7, he gave his first classical piano recital at a school function, playing Fritz Kreisler's Liebesfreud and for an encore a Brazilian Samba, Tico Tico. He also played the organ at church services in school and in his parish of St John the Evangelist, Fort. He passed the audition for All India Radio and played for the Children's Hour, as well as for contests relayed through Radio Ceylon.

Aniceto Nazareth

Aniceto Nazareth had no formal musical training, but was a keen listener of the great Classical Masters and studied their chords and progressions. He was also influenced by the extraordinary accompaniments to simple hymns played by Victor Paranjoti, Peter Andrade, Ethel Athaide at the Holy Name & St Thomas Cathedrals. They set the standard for him in church music and his future publications. He learnt the art of arranging music for equal voices, by listening to his older brothers sing. Thus he grew into music thanks to the background in which he lived, playing back what he listened to and later writing his own compositions which were accepted by publishers both in India and abroad.

Seminary years (1956-1966)

After graduating at 18 in Medical Biology from St Xavier's College, he joined the Seminary at Parel which later moved to its present location at the Diocesan Seminary at Goregaon. Here, Aniceto completed his studies in Philosophy and Theology in 1966 and was finally ordained on 21 December 1966, by Valerian Cardinal Gracias.

These were momentous years for the Church, with the Second Vatican Council (11 October 1962 to 8 December 1965) and the New Documents which followed and Pope Paul VI visit to India for the 38th International Eucharistic Congress (December 1964). At the Congress, during the visit of Pope Paul VI, Aniceto Nazareth while still a seminarian, served as organist and music arranger for the huge Gregorian and polyphonic choir assembled under the baton of Fr. J.B. Fernandes, founder of the Newman choir. (Choir Picture)

The Eucharistic Congress was followed by the composition and publication of appropriate chants in keeping with the recommendations of Vatican II in which Br. Aniceto Nazareth played a major role. He assisted Fr. Jean Mercier, in printing and distributing a series of musical scores for new hymns titled Sing a New Song, followed by a word publication With Joyful Lips and another abridged version, Celebration.

Pastoral ministry (1966-2021) His pastoral ministry at St. Francis Xavier church Vile Parle was short-lived as he was soon called upon by Cardinal Gracias to teach liturgy and music at the seminary.

His grounding in new revised post Vatican II Liturgy came from his Licentiate Studies at Sant Anselmo's, Rome. When he returned to Bombay, it was his task to educate people on the new shape of the liturgy. He revived the Archdiocesan Liturgy Committee [ALC] and was its Secretary for 30 years. As of 2016, he was still on the Board of Censors for Music in English.