“‘You can’t,’ says Jim; ‘you dassn’t move a foot from that ledge.’
“‘I can see very well, Arch, b’y,’ says Jim. ‘If you wriggles a toe, you’ll fall.’
“Then, sir, I cotched ear o’ the skipper singin’ out from below. Seemed so far down when my eyes dropped that my fingers digged theirselves deep in the moss and clawed around for better grip. They isn’t no beach below, sir, nor broken rock, as you knows; the cliffs rise from deep water. Skipper and crew was on the ice; an’ I seed that the wind had blowed the pans off shore. Wind was up now: blowin’ clean t’ sea, with flakes o’ snow swirlin’ in the lee o’ the cliff. It fair scraped the moss I was lyin’ on. Seemed t’ me, sir, that if it blowed much higher I’d need my toes for hangin’ on. A gust cotched off my cap an’ swep’ it over the sea. Lord! it made me shiver t’ watch the course o’ that ol’ cloth cap! Blow? Oh, ay—blowin’‘! An’ I ’lowed that the skipper was nervous in the wind. He sung out again, waved his arms, pointed t’ the sea, an’ then ducked his head, tucked in his elbows, an’ put off for the schooner, with the crew scurryin’ like weak-flippered swile in his wake. Sort o’ made me laugh, sir; they looked so round an’ squat an’ short-legged, ’way down below, sprawlin’ over the ice in mad haste t’ board the _Billy Boy_ afore she drifted off in the gale. Laugh? Ay, sir! I laughed. Didn’t seem t’ me, sir, that Jim Tool really _meant_ t’ kill Archibald Shott. Jus’ seemed, somehow, like a rough game, with somebody like t’ get hurted if they kep’ it up. So I laughed; but I gulped that laugh back t’ my stomach, sir, when I slapped eyes again on Archibald Shott!
“‘Don’t do that, Arch,’ says I. ‘You’ll _fall_!’
“‘Well,’ says he, ‘Jim says I can’t kick un in the head.’
“‘No more you can,’ says Jim; ‘an’ you dassn’t try.’
“Arch was belly foremost t’ the cliff—toes on a ledge an’ hands gripped aloft. He was able t’ look up, but made poor work o’ lookin’ down over his shoulder; an’ I ’lowed, him not bein’ able t’ see Jim, that the minute he reached out a foot he’d be cotched an’ ripped from his hold, if Jim really wanted t’ do it. Anyhow, he got his fingers in a lower crack. ’Twas a wonderful strain t’ put on any man’s hands an’ arms: I could see his forearms shake along of it. But safe at this, he loosed one foot from the ledge, let his body sink, an’ begun t’ kick out after Jim, jus’ feelin’ about like a blind man, with his face jammed again’ the rock. Jus’ in a minute Jim reached for that foot. Cotched it, too; but no sooner did Arch feel them fingers closin’ in than he kicked out for life an’ got loose. The wrench near overset Jim. He made a quick grab for the rock an’ got a hand there jus’ in time. Jim laughed. It may be that he thunk Arch would be satisfied an’ draw up t’ rest. But Arch ’lowed for one more kick; an’ this, sir, cotched Slow Jim Tool fair on the cheek when poor Jim wasn’t lookin’. Must o’ hurt Jim. When his head fell back, his face was all screwed up, jus’ like a child’s in pain. I seed, too, that his muscles was slack, his knees givin’ way, an’ that his right hand, with the fingers spread out crooked, was clawin’ for a hold, ecod! out in the air, where they wasn’t nothin’ but thin wind t’ grasp. Then I didn’t see no more, but jus’ lied flat on the moss, my eyes fallen shut, limp an’ sweaty o’ body, waitin’ t’ come to, as from the grip o’ the Old Hag.