Then in after years the Factor had again met with Andrew Levoy. The man staggered into Conjuror's House late at night. He had started from Winnipeg to descend the Albany River, but had met with mishap and starvation. One by one his dogs had died. In some blind fashion he pushed on for days after his strength and sanity had left him. Mu-hi-kun had brought him in. His toes and fingers had frozen and dropped off; his face was a mask of black frost-bitten flesh, in which deep fissures opened to the raw. He had gone snow-blind. Scarcely was he recognizable as a human being.
From such a man in extremity could come nothing but the truth, so Galen Albret believed him. Before Andrew Levoy died that night he told of his deceit. The Factor left the room with the weight of a crime on his conscience. For Graehme Stewart had been innocent of any wrong toward him or his bride.
Such was the story Galen Albret saw in the little silver match-box. That was the one flaw in his consciousness of righteousness; the one instance in a long career when his ruthless acts of punishment or reprisal had not rested on rigid justice, and by the irony of fate the one instance had touched him very near. Now here before him was his enemy's son--he wondered that he had not discovered the resemblance before--and he was about to visit on him the severest punishment in his power. Was not this an opportunity vouchsafed him to repair his ancient fault, to cleanse his conscience of the one sin of the kind it would acknowledge?
But then over him swept the same blur of jealousy that had resulted in Graehme Stewart's undoing. This youth wooed his daughter; he had won her affections away. Strangely enough Galen Albret confused the new and the old; again youth cleaved to youth, leaving age apart. Age felt fiercely the desire to maintain its own. The Factor crushed the silver match-box between his great palms and looked up. His daughter lay before him, still, lifeless. Deliberately he rested his chin on his hands and contemplated her.
The room, as always, was full of contrast; shafts of light, dust-moted, bewildering, crossed from the embrasured windows, throwing high-lights into prominence and shadows into impenetrable darkness. They rendered the gray-clad figure of the girl vague and ethereal, like a mist above a stream; they darkened the dull-hued couch on which she rested into a liquid, impalpable black; they hazed the draped background of the corner into a far-reaching distance; so that finally to Galen Albret, staring with hypnotic intensity, it came to seem that he looked upon a pure and disembodied spirit sleeping sweetly--cradled on illimitable space. The ordinary and familiar surroundings all disappeared. His consciousness accepted nothing but the cameo profile of marble white, the nimbus of golden haze about the head, the mist-like suggestion of a body, and again the clear marble spot of the hands. All else was a background of modulated depths.