§ =65.= “. . . With . . . a promise to return at nine o’clock the next morning, he left me. But at the stated hour on the following day he did not make his appearance; in his stead, however, there came, a few hours later, a stranger, who told me that his friend the Artist was unavoidably detained, but that he would call at three o’clock in the afternoon. The afternoon came; I waited for him till half-past seven o’clock. He did not appear. Thereupon my wife came and tempted me to try the transmutation myself. I determined, however, to wait till the morrow, and in the meantime, ordered my son to light the fire, as I was now almost sure that he was an impostor. On the morrow, however, I thought that I might at least make an experiment with the piece of ‘Tincture’ which I had received; if it turned out a failure, in spite of my following his directions closely, I might then be quite certain that my visitor had been a mere pretender to a knowledge of this Art. So I asked my wife to put the Tincture in wax, and I myself, in the meantime, prepared six drachms of lead; I then cast the Tincture, enveloped as it was in wax, on the lead; as soon as it was melted, there was a hissing sound and a slight effervescence, and after a quarter of an hour I found that the whole mass of lead had been turned into the finest gold. Before this transmutation took place, the compound became intensely green, but as soon as I had poured it into the melting pot it assumed a hue like blood. When it cooled, it glittered and shone like gold. We immediately took it to the goldsmith, who at once declared it to be the finest gold he had ever seen, and offered to pay fifty florins an ounce for it.

§ =66.= “The rumour, of course, spread at once like wildfire through the whole city; and in the afternoon, I had visits from many illustrious students of this Art; I also received a call from the Master of the Mint and some other gentlemen, who requested me to place at their disposal a small piece of the gold, in order that they might subject it to the usual tests. I consented, and we betook ourselves to the house of a certain silversmith, named Brechtil, who submitted a small piece of my gold to the test called ‘the fourth’: three or four parts of silver are melted in the crucible with one part of gold, and then beaten out into thin plates, upon which some strong _aqua fortis_ [nitric acid] is poured. The usual result of this experiment is that the silver is dissolved, while the gold sinks to the bottom in the shape of a black powder, and after the _aqua fortis_ has been poured off, [the gold,] melted once again in the crucible, resumes its former shape. . . . When we now performed this experiment, we thought at first that one-half of the gold had evaporated; but afterwards we found that this was not the case, but that, on the contrary, two scruples of the silver had undergone a change into gold.

Alchemy: Ancient and Modern — Part 53