Such was the reception of _Waverley_: a reception not unworthy of a masterpiece. And it is worth while to remark once again the 'gallant composure' of the writer who had staked his fame and fortune on an experiment so new, uncertain, and dangerous. Before he had heard of its fate in England, he set out on a voyage to the Hebrides, Orkney and Shetland, so that he was practically cut off from letters and news for nearly two months. When he returned, he found that two editions of _Waverley_ had been sold.

The _Lord of the Isles_--_Guy Mannering_--Universal Delight--Effects of Peace in Scotland--Awakening of Public Opinion in Edinburgh--'Civic War'--Professor Duncan--Sketch by Lord Cockburn.

Edinburgh Under Sir Walter Scott — Part 117

The month of January 1815 saw the publication of Scott's _Lord of the Isles_. On the 24th of February a second novel--_Guy Mannering_--was issued, by the Author of _Waverley_. Detailed dates given by Lockhart show that the novel was literally written, as Scott himself said, 'in six weeks at a Christmas.' Writing to Morritt on January 15, he says, 'I want to shake myself free of _Waverley_, and accordingly have made a considerable exertion to finish an odd little tale within such time as will mystify the public, I trust--unless they suppose me to be Briareus.' The biographer adds that this excess of labour was the result of difficulties about the discount of John Ballantyne's bills. The _Lord of the Isles_, though amply successful from the point of view of sale, was in point of reputation disappointing. On James acknowledging this, Scott, we are told by James Ballantyne, 'did look rather blank for a few seconds: in truth, he had been wholly unprepared for the event; for it is a singular fact, that before the public, or rather the booksellers, had given their decision, he no more knew whether he had written well or ill, than whether a die thrown out of a box was to turn up a size or an ace. However, he instantly resumed his spirit, and expressed his wonder rather that his poetical popularity should have lasted so long, than that it should have now at last given way. At length he said, with perfect cheerfulness, "Well, well, James, so be it--but you know we must not droop, for we can't afford to give over. Since one line has failed, we must just stick to something else"; and so he dismissed me, and resumed this novel.' The reviews of the _Lord of the Isles_, though rather severe on the structure of the poem and the imperfections of the hero, did ample justice to the majestic power and unfailing vigour of the story as well as to its rare descriptive beauties. But most will now agree with Lockhart that the best achievements in the book are the magnificent character of the heroic King, and the Homeric battle-piece of Bannockburn.

Edinburgh Under Sir Walter Scott — Part 117